oursin: hedgehog wearing a yellow flower (Hedgehog with flower)

A couple of typically silly season press reports.

Giant tortoise on railway line (honestly, this is not what 'Normal For Norfolk' usually implies): An African tortoise hit by a 90mph train from Norwich was ‘sex-starved and looking for love’, it has emerged:

A spokesperson for Greater Anglia said two of its trains were held up including the Norwich to Stansted service carrying 125 passengers. Unsurprisingly, this was the first time the company has had to use this excuse for train delays. ‘We are sorry for the disruption caused to customers,’ they added. ‘Someone from Network Rail did try and move the tortoise, but he was too heavy so they had to get help.’
***

Some while ago I posted on people who grow Gigantic Veggies (often of an urgent phallic nature), but apparently there is also a Giant Gooseberry subculture, which has been going, if not Since Tyme Immemorial, since 1800: Egton Bridge is the oldest gooseberry show in the UK, running on the first Tuesday of every August since 1800, apart from enforced breaks due to foot and mouth and Covid:

Like other growers, she says there is no big secret to growing big gooseberries apart from care and attention, although she has memories of the fertiliser her dad used when she was a child. “We used to go out for the day to Osmotherley and spend all day gathering sheep muck,” she says, possibly joking, possibly not.

No one knows why the passion for growing giant gooseberries started but there is evidence of it being a hobby in industrial areas of England in the late 18th and 19th centuries. The Egton Bridge show started in 1800 and is still going strong, held this year for the first time at the plush Egton Manor, a weddings and events venue. Many of the old traditions remain, with all the gooseberries carefully weighed on an oil-damped, twin-pan scale that has been used since 1937. Graeme Watson, the chair of the society and something of a master grower and gooseberry guru, says growing them is a labour of love. “There are lots of things that can go wrong over the course of a year, so the better you look after them, the bigger they’ll grow. There’s gooseberry sawfly, mice like them, somebody has had rats attacking them on an allotment … blackbirds love them, wasps.” Keeping the show going is important, he says. “We are the custodians. It is our job to preserve it. It’s not everyone’s thing but we are trying to encourage more growers to want to do it.”
And they have A Winner - though shocking news that it appears that a leading contender's gooseberry bushes were 'poisoned and killed by a suspected rival ahead of the competitions'.

Those are indeed Very Large Gooseberries.

oursin: Cartoon hedgehog going aaargh (Hedgehog goes aaargh)

But, really? this? Am reminded of Winston Smith's compulsory and surveilled physical jerks.

The National Health Service is to put its own 1.35 million staff at the head of a new fight against obesity by encouraging them to join weight-watching groups and take out gym memberships, its new head will announce this week.

How about you reduce the stressful conditions they are working under, getting ever more so, rather than piling another requirement on top of them?

I am more on board with the idea of having healthy food available in hospitals, for staff, patients and visitors. This seems more to the point than 'encouraging' them to join gyms and weight-watching programmes (where are they going to find the time for that?).

And related to this, via Barbara Ellen's column (scroll down): Belgian MP Maggie De Block has been made minister of social affairs and health, amid criticisms that, at more than 20 stone, she is far too overweight for the job.

Even if De Block doesn’t have underlying health issues affecting her weight, there is the insidious implication that her appearance is more important than any experience or intelligence she could bring to the job, that how she looks matters more than what she does.

oursin: Books stacked on shelves, piled up on floor, rocking chair in foreground (books)

In an email exchange the other day I was bemoaning the excessive length that seems to be the Done Thing for so many genre books these days.

It was suggested to me that this was because of the rise of ebooks, but it seems to me that the biblio-BMI has been on the rise since well before ebooks were that much of a thing.

I don't know if you could go along my shelves and date the works by whether they were slimline volumes bringing in their story within a snappy 60K words, because there are doubtless some lengthier works of a similar vintage.

But while I have problems with page-bloat, I think the fact that books are getting so huge is another point in the case against people having No Attention Span because of Internetz.

(Am now wondering if there was a WOEZ WOEZ about the decline of C19th 3-decker novel attributing it to cheap popular titbitsy journalism...)

oursin: George Beresford photograph of Marie of Roumania, overwritten 'And I AM Marie of Roumania' (Marie of Roumania)

And I should be doing a recent reading post, but I'm still too exhausted and out-of-sync. But this irked me enough to generate a probably deceptive surge of energy to post with.

Making my way through the piles of accumulated mail, I came to Focus: the BSFA Magazine for Writers, Autumn 2007 no 51, which included an article on 'How do I stand out on the slushpile?' by Jetse de Vries. And some of this was all well and good, but I take issue with the following:

Raise the stakes, raise them higher and then add a few notches. For example, let the final confrontation between two old friends not only destroy their friendship, but also their conscience and the course of history. [I can get behind the idea of positing an advance in technology should have wide-ranging impact somewhat more happily.] If people find themselves in a strange world, make it ever stranger, weirder, crazier.... Don't think big: imagine vastitudes, create infinities.

I'm okay with the idea that you have to make your consequences complex rather than single and that the impacts of the events should resonate. But this demand for ratcheting up the importance of everything strikes me as somewhere between E E Smithsmanship - first we save the world, then the solar system, then the galaxy, then the universe, then the whole of past and future history - and the litfic trope of the Great [whatever] Novel... And it has an urgent, phallic, look, perhaps. And I've been bored rigid by enough books that thought that raising the stakes was going to generate narrative intensity all by itself. Because you have to care in the first place. Or that putting in more and more of The Strange was going to grab the imagination.

I'm thinking 'what about subtle, what about making your few inches of ivory reflect those changes, what about doing growing unease at what at first appear analogues or only slight differences...'*

Just me?

*Moving here towards theorising a new kind of SF (what a pity that Mundane has already been appropriated for a rather different vision) about refracting vast changes via a Barbara Pym style narrative.

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