In the words of Sir Larry....
Nov. 28th, 2025 03:07 pm'My dear boy, why don't you try acting?' (attested from the mouth of Dustin Hoffman, to whom Olivier addressed this plea when Hoffman was going to extreme Method lengths).
Experience: I was stabbed in the back with a real knife while performing Julius Caesar.
And this was not a dreadful error in the props room or something out of a murder mystery:
It was the Exeter University theatre society’s annual play at the Edinburgh fringe and I’d landed the part of Cassius in Julius Caesar. The director decided that instead of killing himself, Cassius would die during a choreographed fight with his rival, Mark Antony. We also chose to use real knives, which sounds absurd, but we wanted to be authentic. The plan was for the actor playing Antony to grab my arm as I held the knife, and pretend to push it behind my back. We must have rehearsed the sequence 50 times.
We were about halfway through our month-long run, performing to a decently sized audience. Dressed in our togas, with the stage dark and moody, we began the fight as usual. Then something went wrong.
There was a sharp piercing feeling. The knife was supposed to have been quietly slipped to me – instead, it had gone into my back. I realised what had happened while acting out my character’s death, and thinking: I have to lie here until the lights go down.
....
When a doctor told me I’d come close to dying, and that the play had to stop using real knives, I remember thinking: “You just don’t understand theatre.”
However, right at the end of the article he does acknowledge: 'I’m super conscious of safety nowadays'. We should hope so.
What next - real poison where text requires? What was the director thinking? I would think using Real Knives might make it less authentic with choreographing to ensure Doing No Harm