oursin: Cartoon hedgehog going aaargh (Hedgehog goes aaargh)

What is this that this thing is, when, okay, one is aware of all the woozing and grumbling about the various delivery services, but here is the ROYAL MAIL being pretty bad.

Yesterday I had an email saying they had delivered a parcel.

There was no parcel.

I looked at the proof of delivery and behold, that was Not Our Front Door they were sticking it through, it was the wrong colour and one could see the corner of a glass panel (ours is solid wood).

So I went on to their site to try and delve a bit further and, my dears, it is HORRENDOUS, one suspects it is designed to make people Just Give Up.

For example, the 'contact us' link, that actually goes to a 'Help and Support' page that lists a whole range of possible contingencies that one has to sort through to discover one that matches the occasion.

And once I had come across the Advice relating to item (presumably) misdelivered to wrong address, advice was, to contact the sender.

I have no bloody idea who the sender was being as how I was not even expecting a Royal Mail delivery, have been back over my emails and texts and no, I did not receive any previous message involving that particular tracking code.

There is a passing allusion to possible scanning errors.

The only means of contacting them is by phone, and when I tried, and had made my way through the menu options, the wait to speak to a person was 50 minutes.

I am leaving all this pro tem in case a) it was misdelivered and gets put back into the system b) it never actually existed in the first place.

But, really.

And in other, perhaps more minor (?) annoyances of Modern Life, what is this thing that this thing is of 'Cooking Instructions on Back of Label'? that you then have to detach, in the hope that it will actually come off in one piece that one can actually decipher....

ETA Parcel has now turned up, either in today's post or popped through letter box by neighbour to whom it was delivered in error.... Is friend's book I was in anticipation of.

oursin: Photograph of a spiny sea urchin (Spiny sea urchin)

Woe woe woe, why is it that these days there are still transactions that one has to undertake on the phone and doing so involves phone menus and hanging on listening to recorded messages?

Anyway.

I have been having An Issue with my designated online pharmacy about a repeat prescription I put in, which they said hadn't been authorised to them by GP practice - I logged in to my online record and it had been approved, but apparently my sending them the screenshot wasn't enough, so I have been doing the Trying to Get In Touch With Practice Runaround since yesterday.

Not aided by the fact that a) first I apparently had the wrong number for the main GP line and b) when I got that, the pathway to the prescription queries just dropped the connection.

However, this afternoon I have finally managed to Talk To A Person, and what happened was the prescription was printed out instead of uploaded to the electronic database and they will do this pronto, yay.

That was one thing.

Then I was reminded in the course of the morning that I have been expecting Insurance Co to send renewal reminder and quotation for the shared areas insurance for the property, and ooops, it is getting awfully close to the deadline. Getting to anyone about this not aided by the Insurance Co apparently having done a lot of restructuring, closed the specific office with which I was wont to deal, and (surprise) their website being weird in Firefox.

But by gritting my teeth and listening to numerous repetitions of my business being important to them I did eventually speak to Someone who will get this expedited.

Speaking of Insurance Co, quite coincidentally today I received from them 2 count 'em, two form letters saying that refund is due on policy of mine due to 'charging error' and appending cheques (the amounts are different so it's not just that they sent out the same letter twice).

I did mention this to Person To Whom I Spoke, who said it is Another Department, Probably Historical, but will bring about contact.

Cheques. While this seems vaguely sus, it is not as though there is any request for bank details or whatever. In fact, can we say, how quaintly old-fashioned?

oursin: Grumpy looking hedgehog (grumpy hedgehog)

In the course of Current Research I have acquired scholarly (well, that's what it's intended to be, it's issued by a university press, so) edition of a novel by somebody who was Much More Famed For Other Things.

I have not only writ upon This Person, fairly extensively over the years, I have writ specifically on this fairly dreadful novel, which, I may add, I originally read as a photocopy - remember xeroxes??? - of the copy in the university library of person who had asked me to contribute a chapter to an edited volume about it.

Does this get mentioned in the introduction? Is it cited in the bibliography? Is it 'eck.

Introduction also perpetrated Errour that I took issue with in that article and in other places concerning whether V Woolf alluded to the novel in A Room of One's Own - this is a real stretch and I am prepared to bore for Europe on the reasons why your case does not hold up.

So I am in a bit of a miff of outraged vanity here, only slightly mollified by having come across - by doing a spot of due diligence, Unlike Some People, she huffs - two articles about a somewhat obscure novel I'm writing on, one of them, by a strange coincidence, by the very editor of aforementioned edited volume, what're the odds, eh?

(Though, fairly neglected early C20th women writers, actually, it's not that improbable.)

oursin: Hedgehog saying bite me (Bite me hedgehog)

So much wrong with his take on this, even taking into account all the things the British Museum has on its crime sheet: Theft isn’t the only problem facing the cash-strapped British Museum – and I have some answers

Yes, and they are RONG and Point Thahr, Misst.

Museums are essentially phoney. Few of their objects were made for them but rather to be owned, used, enjoyed and traded. They were not meant to be wrenched from their context by fair means or foul, then put in a glass case or buried in giant state hoards, most of them never again to see the light of day.

Rubbish. Just because items are not permanently on display doesn't mean 'never' and some things should NOT be permanently on display but only occasionally and under carefully monitored conditions. Plus, I would much rather have things in museums than 'owned, used and enjoyed', or more likely stuck in bank-vaults, by private collectors. Do we not feel like weeping when some famed collector dies (or comes to ruin) and the collection goes on sale and we see what riches have been lying hidden and will probably go be hidden once more?

The whole ecology of the museum sector in the USA is different - Partner and I were discussing this and the role of Boards of Trustees who are themselves major collectors who maybe will donate when they pop off over breakfast a few weeks ago - and I do not think this is anything to emulate:

Dynamic museums in the US, like the Kimble Art Museum in Fort Worth, Texas, are switching to buying and selling to update their collections, a process known as “progressive deaccessioning”. In 2017, the UK’s own culture department published a report that questioned whether “effective collections management can be truly effective and efficient without some disposals”.

Yeah, but that would be, would it not, to other publicly accessible collections in which they would be more appropriately held? I am sure I have whinged on about collections which have fetched up in Some Place because of Some Personal Connection, where they have absolutely no synergy with the general tenor of the institution and where interested researchers may well not think to look for them. In Museum Collection with which I had tangential association via its archives, there was a massive deaccessioning of materials not pertinent to its core mission, but they went to good homes (which then came back to us with queries....)
A more immediate source of funds is surely beyond argument. Free entry to the museum, except for special exhibitions, is not a moral issue but rather a device to keep its grant as a top visitor attraction. The New York Met now charges $30, the Amsterdam Rijksmuseum €22.50 and the Louvre €17. Are they immoral? Deals can be done for children and students, but free museum entry is simply a generous donation by British taxpayers, mostly to foreign tourists.

I daresay Mr Jenkins is younger than moi, but I can remember the days - was it the 70s or the 80s? - when the museums which fell under the Department of Education and Science's administration, which included the gems of South Ken, were obliged by the Political Masters in Power to start charging admission. And lo and behold, it turned out that it cost more to operate this system than it brought in in revenue. And now general admission is free even if special exhibitions cost an arm and a leg.

Bring back, I say, those fine Victorian Values of improving the populace with Art and Culture, absolutely free.

As I have probably already remarked, what needs funding is the invisible unglamorous work.

oursin: Books stacked on shelves, piled up on floor, rocking chair in foreground (books)

Though people doing The Right Way To Read Books is a perennial Thing, no?

This was a bloke (of course it was a bloke) saying Read all the books you already bought before you buy any more.

I BEG your pardon?

The books I already have are not the books forthcoming from my favourite authors that I am looking forward to.

The books I already bought can sit there until I feel moved to read them, and in a lot of cases I bought them for very miscellaneous reasons - I had heard about them and thought I ought to give them a try Some Day, which has not yet come - possible future research relevance - make-weight volume to make up a promotional 3 for 2 or whatever deal - somebody mentioned the title/author and I was interested enough to pick up a copy but it slid down the actual priority pile - it was on SALE -

(On the latter, I adduce in evidence the copy of V Brittain's The Dark Tide which I have had since time whereof the memory of [personal profile] oursins runneth not, and only finally got round to last week because possible research relevance.)

Books are not interchangeable things.

I suppose that this joyless edict would also preclude re-reading.

What is it with people and reading and DUTY and sucking all the joy out of it? Does he get out of bed practically before he's gone to bed, have a kale smoothie and then do X amount of cardio on a treadmill while consuming an obligatory number of daily pages of READING-STUFF?

Somebody tell him to curl up in the window-seat re-reading something comforting &/or frivolous.

oursin: Cartoon hedgehog going aaargh (Hedgehog goes aaargh)

Having received the statement of the account that they had to post, because *security*, somewhat more expeditiously than I had anticipated, I took it, along with ID and details of how the money was to be divvied up, to the branch of [financial institution in question].

Where - having previously been led to suppose that did I front up with the docs in question, this could all be done as a relatively simple over the counter transaction - I spent over an hour there, found that for some arcane reason they could not do electronic transfers so I had to get cheques, and that I still have to go back to close the account once all the cheques have cleared.

I CAN HAZ INCIPIENT MIGRAINE NAO.

(Okay, maybe the weather has something to do with this as well.)

I'd go onto the Soshul Meedjaz ranting about the relevant financial institution, except that from my earlier proceedings, I don't think any other of the major high street financial institutions would be any better.

This is not something that people who have just experienced a bereavement should have to deal with: and there must be lots of people whose bereavement situation is a lot more distressing than mine (because a 94 year old father in poor health dying is pretty much within the natural order of things).

oursin: Books stacked on shelves, piled up on floor, rocking chair in foreground (books)

A fairly interesting article on the revival of the Book of the Month Club - not quoting the massively naff headline - but there was one passage when I was going END TIEMZ B HEER!!!:

[T]he Club is fueled partly by an active presence on social media. Members regularly post photographs of themselves — or their pets — with their purchases. Also popular are “book bentos,” artsy photo displays of club books arranged with objects relating to their themes or subjects.

Y O Y???? In the time it takes to do that, you could be reading.

As a palate-cleanser, here is some shelf-porn that seriously presses my button to ring my bell: 16 Floor-to-Ceiling Bookshelves That Will Make Your Jaw Drop. This pretty much gets it (though who are those philistines who have objets d'art in space where they could fit MOAR BOOX?), unlike the various poncey interior design notions I have ranted about over the years, where clearly the persons designing them never read a book and treat the whole question as one of aesthetics.

[Links via [personal profile] umadoshi]

oursin: Photograph of a spiny sea urchin (Spiny sea urchin)

Or, Schrodinger's frelling wifi.

On the bus to Madison, had a reasonable connection yay.

On the bus back to O'Hare, although there appeared to be a connection, it didn't actually do anything - also was an older bus with nowhere to plug in chargers, which may have some bearing.

At O'Hare, have been doing the Masochism Tango with Boingo, which sneers at the tablet and won't connect, but on the laptop, after several rounds of frustration, seems to have let me online for a minimal period.

AAAAARRRRGGGHHHH.

oursin: Painting of Clio Muse of History by Artemisia Gentileschi (Clio)

My dear rdrz will have heard me (for lo, they B heering the whingeing on the Moon) rant about certain popular works of history, sometimes by people who have some kind of relevant scholarly credential (and sometimes not) that have the pernicious effect of getting some complete misapprehension into the water.

And sometimes, at least within the scholarly community, you have people who NO BETTER undertaking the somewhat tedious task of historical revisionism (e.g. come on down, Helen King!) and bright or less-bright young things become apprised that you cannot take the popular and much-cited works as gospel, for, lo, they GOT IT RONG or left pertinent facts out, and so on.

The trouble with popular works of history is that quite oft, they fall into the hands of individuals who are perhaps not applying the critical methods that one trained in the discipline would apply, or do not realise that this is just one case in an ongoing debate, and sometimes, o deary deary me, they write plays or produce films (in the case of a certain canard, both) which are claimed to be based on HISTORICAL (or perhaps we should say, HYSTERIKLE) FACT.

I see that somebody has made a play out of Lauren Slater's Opening Skinner's Box (2004): which was, at that time

condemned for perpetuating – or at least failing to refute – the myth that the father of behaviourism, BF Skinner, tested his theories by keeping his infant daughter in an environmentally controlled box.
Which indeed, I blogged about at the time.

SIGH.

I thought I'd also posted about one or two egregious examples of playwrights/novelists ripping off historians' work without attribution and letting it be thought it was ORL THEIR OWN WERK, but can't find the posts if so.

oursin: Cartoon hedgehog going aaargh (Hedgehog goes aaargh)

When you are pretty sure that the problem you are having with a particular website, whereby you log in, and parts of the site acknowledge that you are logged in and there is a My Account link at the top of the page -

And then you go to the area of the site which you have particular reason to want to visit, and it has Log In at the top of the page -

And you log in again but it does nothing -

Is on them rather than you -

And you contact them by various means and they suggest various things* including a password reset -

And then they say, o, clear out all your cookies and reaccept the cookies from the site -

And by this time, you are pretty much convinced - as from the outset - that this is Nothing To Do with anything at this end, because there have been similar problems with this site before -

But you think, here goes nothing, and do that thing, which of course logs you out of various other sites as a result -

And reaccept their cookies, and log back in and -

Guess what, exactly the same thing happens.

This would have an extra layer of irony if I actually said what the site was.

*Including saying they tried to ring you to talk you through logging in. WTF. Reading comprehension FAIL. Logging in is not the problem, it is parts of the site somehow failing to pick up on the fact that you are.

oursin: Cartoon hedgehog going aaargh (Hedgehog goes aaargh)

I have been besought to contribute to a Radio Programme, the negotiations and arrangements for which are being conducted by an intermediary (Press Officer).

Apparently the actual producer has been trying to contact me -

- BY PHONE -

- on a landline number which I am not currently anywhere near.

Honestly. If you would like to speak to somebody, rather than conduct an exchange entirely in text, could you not EMAIL like a modern person to find out when they are free to chat to you and at what number?

Recording is supposed to be happening on Monday, details not, in fact, communicated to me directly but discovered in an email chain.

***

Also pissed off with the postman, who put a card through my door WITHOUT RINGING THE BELL concerning a parcel I shall now have to retrieve from the sorting office.

oursin: Photograph of a spiny sea urchin (Spiny sea urchin)

Meeting of council of Learned Society went ON and ON, and caused me to think of the missing Beatitude: Blessed are those who, having nothing to say, keep shtumm.

Also, stealth pesto in the chicken sandwiches served for lunch: DO.NOT.WANT.

Also, when I finally got to the British Library on my way home, found that a passport + expired reader's card does not constitute adequate proof of identity and I shall have to go back.

From my very first visit I have had bad mojo with the BL, though the first time it was perhaps not entirely their fault but to do with not knowing the different conventions of French and English indexing (but this would not have been so critical had the volumes turned up more expeditiously, but by the time I'd sussed it it was time to go and catch my train.)

There was the Incident of the Photocopying for which I paid for Express Service as it was needed for a class presentation (and had no utility to me apart from that), which arrived several days after the class.

There was the Matter of the Manuscripts I Needed to Consult for My PhD Thesis which were in the storeroom that had been found to have asbestos in the walls, no, no idea when they're likely to be available again.

The many many problems of decoding catalogue entries for periodicals and serials and usually ending up by finding that they didn't have the particular issue I required.

The Old North Gallery.

That thing where I ordered a periodical and when I went to collect it from the desk was told that I'd have to look at the microfilm, oh not, they hadn't actually brought that up, I'd have to order it.

WAAAAAAAAH. This is why, given a choice, I would go anywhere but the BL to do my research

oursin: Grumpy looking hedgehog (Grumpy hedgehog)

Have been feeling grouchy all week, in fact this probably dates back to last week, and I could doubtless attribute some of this to still not feeling quite the thing, trying to get back into exercising and finding that really modest amounts knock me out, plus, possibly incubating a cold...

But I depose that it is infuriating if, several weeks ago, when being solicited to contribute a blog post for A Particular Day, you suggested that your colleague had just informed you of a nifty thing that had recently been digitised which could form the basis of a highly relevant post -

- and that when you are, not exactly with a merry song on your lips, sitting down to doing the late-evening opening stint of supervising rare materials users, just before the long bank holiday (which was chiz, chiz, enuff in itself, no?)

- you receive an email saying can you do this for next Tues, which is the Particular Day in question -

- and point out that, hello, long bank holiday weekend, colleague is away for the next week, but you will do your best to try to hustle something up on Tuesday morning in spite of this inadequate notice -

- and you do that thing and get it in by lunchtime -

- and then they get back to you saying O HAI, decided to go with someone else's Particular Day-relevant post -

- no?

On top of which, various demands via academia.edu and elsewhere for copies of either ancient, ancient papers of mine, or for copy of a book which only came out in the last few years and is still in print and widely available.

Okay, I am aware of that thing about people trying to retain a foothold in academe and not having access to journals and generally unsatisfactory libraries for research purposes, and I sympathise.

But I do not think it appropriate to expect somebody to upload to academia.edu a book which is a textbook in a series from a major scholarly publisher, rather than a self-published treatise, amirite? Major scholarly publisher might just get somewhat pissed off.

Also, if it is an article or chapter, it is not necessarily a moment's matter to send it. Somebody asked me for the full version with refs of a piece that's on my website, and while I did have a file of this, it was nearly 20 years old, did eventually convert into a recent version of Word, but although it has all the refs, had lost the numbers. No, I was not going to faff to put them in, because, really, I've addressed pretty much most of the matter in that paper in published works.

I was prepared to scan a chapter of mine from a book that came out in the mid-90s, until I discovered that it was Harvard references, i.e. synoptic cites in brackets in the text, to full details in a consolidated bibliography for the entire volume at the end. This one I couldn't even find the old word-processed file.

But even when I do happen to have a scanned version already, and bop it off to the requester, do I get a thank-you? do I hell.

Today I was doing the Saturday shift - at least it was the LAST, yay. One reader arrived nice and early, unfortunately had ordered their material just that bit too late yesterday for it to have been produced, ooops; and then nothing until just gone 5 minutes before closing time, when I had already locked everything up, someone comes in saying they've just joined the library, didn't realise when we closed on Sats (what is the info on the website for, I ask?) could they just glance quickly...?

In the empty hours between I was fuming over the latest iteration (something like the 4th round) of the Why Did I Agree To Do This? chapter, the one with extremely tight word limits but nonetheless the editors keep coming back and asking for bits to be further developed, additional refs to the literature, etc.

It's none of it the end of the world or massively serious, but boy is it irritating, especially cumulatively like this, grumble, grumble, grouch.

oursin: Photograph of a spiny sea urchin (Spiny sea urchin)

The infuriating situation with getting the right renewal of a prescription (rather than the wrong thing) continues, and is now at 'this is becoming critical' rather than 'moderately inconvenient' stage, since I'm about to run out and am going to be away for two days until Saturday evening.

Had one of those domestic accidents which it would probably be impossible to replicate, involving extremely hot water.

It is really tiresome when, at a booklaunch, one is about to depart, and someone says, 'Oh, I really want to talk to you about something, but I just have to go see X and Y', and 20 minutes later, there is still no sign that this desired conversation is actually going to happen. (This is someone who works approx 10 minutes from my own workplace, which they have occasion to visit anyway. If they have pressing things to talk about with me - as opposed to making a purely social gesture - we could do coffee or lunch.)

This bloody workshop for a project I am increasingly meh about being involved with, eating up a weekend when a) I have been away for several weeks b) I was working last Saturday, and I would really like some me/partner time.

Generally having one of those phases which makes one wonder 'is this Mercury in retrograde or what?'

oursin: Sleeping hedgehog (sleepy hedgehog)

Okay, I got to Toronto Pearson in good time and managed to wrastle successfully with the self-check-in machine, except that it printed out the baggage tag from an unanticipated aperture, against which my case was leaning, and this crumpled it to the extent that at bag-drop she printed out another one.

And, oh, it looks so cool to have those free iPads all over the place + charging stations, and I sure do appreciate those, but, O Toronto Pearson, for the best part of the two hours I was sitting there I completely failed to access your free wifi on my own tablet. I would be informed that it was connected, and go to the log-in page, and this would just hang there and not, actually, enable logging in. Bless, I say, the wifi on the Airport Express Bus.

However, I did manage to access a rather good margarita.

But Southern Comfort Reserve no could haz, alas.

I had one of the worst possible seats on the plane - when I did the online checkin, which I did about an hour or so after this had opened, there was absolutely nowhere else I could shift to, woe. I was right at the front of the economy section. As far as I can see, the only, if not entirely insignificant plus to this is being able to make an expeditious exit upon landing.

Otherwise: emergency exit row: check. No seat in front under which I could stash my handbag, so it had to go in the overhead locker, which was quite inconvenient: check. Bang next to the loo: check (perhaps there was some slight upside to this, but on the whole, especially as I was on the aisle seat, not). Opposite the cabin crew area at the front of economy: check. In a draught: check. I.e. all night people coming and going, lights coming on and off, etc etc.

Plus: the seats did not recline.

What with all this + the itching, I am surprised I managed to get even a bare hour's shut-eye.

Nor were my troubles over when I arrived at Heathrow. Somebody nearly went off with my case before realising it was not one pertaining to the group they were with, while I stood there waiting and waiting for it to come round on the carousel. Fortunately I spotted it on the other side where the group were amassing their impedimenta.

Partner had managed to get to Terminal 3 in time to meet me as I got through Customs, but o dear, the Heathrow Express was having a real morning of troubles.

Anyhow, home now, unpacked and two loads of washing accomplished along with various urgent matters of life administration.

Trying to stay upright until it is a reasonable time to go flop.

oursin: Photograph of a spiny sea urchin (Spiny sea urchin)

This is an ongoing muttering fume at British Gas, which periodically sends me emails requesting me to log in and enter my meter reading online.

And when I log in, tells me:
Sorry, you do not have any account to manage online.

But if I try to register as a new account, tells me that an account for that reference already exists, but still won't let me enter a meter reading.

The account they do cop to me having is the one relating to my boiler servicing cover.

So I sent them a message via the website and a few days later I received a response which strongly suggests that replies are generated by a bot triggered by selected keywords, since it signally fails to address my actual complaint.

I.e. it takes me through the process of logging in and changing my details, which is pretty much irrelevant - I did have some difficulty logging in but that was about which email/what password, and I did get that sorted, eventually, and did log in.

But completely fails to address the METER-READING INPUT NO CAN HAZ issue.

I replied thusly to the email but await with somewhat grim anticipation what their comeback will actually be. I am probably going to be reduced to phoning, hanging on through various phone-menus and tinkly hold music, and screaming at someone.

oursin: Painting of Dr Johnson, overwritten Paging Dr J (Dr Johnson)

'The most-awarded single malt whisky in the world'

Awarded, we ask, to whom?

I think you mean 'award-winning'?

And plz not 2 get me started on the insidious creep of 'to gift' as a verb, when there is absolutely nothing wrong with the good old-fashioned 'to give'.

oursin: Drawing of hedgehog in a cave, writing in a book with a quill pen (Writing hedgehog)

I have been commissioned to write a 1000-word article for an encyclopaedia.

Well, thinks I, that is not a lot of room but I think I can get it all in.

Then, having got to a draft, I check the style-sheet again.

And Lo and Behold, that is not 1000 words plus a list of relevant reading, keywords and cross-refs.* That is 1000 words including title, my name, and affiliation, references, further reading, keywords and cross-refs (though HEY! the abstract is not included in that count, WHEEEEEE!).

All of which seriously reduces the amount of wordage I have to play with and turns the whole thing into a challenging exercise in compression.

Chase, I have cut to it, and the high points of the chase at that.

Also, it's hard to tell just from the headings what cross-references will actually be in the slightest degree relevant, plus, there is a certain amount of 'Whoah: they have [entry] and haven't asked ME to do that one?' when looking at the spreadsheet.

***

How much do I concur with what [livejournal.com profile] mrissa has to say here about that phenomenon of small irritating inaccuracies, not affecting the main argument of what's being written about and that one feels immensely pedantic for noticing at all?

[I]n the introduction he tosses off a view of the Late Middle Ages that is frankly shallow, wrong, and dumb. It isn't important to his main point. But there it is, wrapped into the introduction, not fact-checked or actually addressed in any way, just a very common and very debunked stereotype of that period. And in some ways I feel like that kind of behavior is worse than if he had his main thesis wrong.... It's a piece of misinformation that goes down easy, that reinforces previous misinformation if everyone involved doesn't think it matters, because they were really mostly talking about something else.

So much YES. (Searching is down on DW at the moment so I can't locate my post on the virtues of nitpickery.)

This is not quite, I think, the same thing as coming across, yet again, an uncritical invocation of Victorian hysteria canards in a work of literary history, because lit people Do That Thing: they have actually Read Up The Subject, but you can predict the 2 or possibly 3 books they have read - 2 of them several decades old - and they will be unaware of other historians tearing their hair, gnashing their teeth and waving the codfish of revisionism. And no, it doesn't (at least in this case) particularly vitiate the general thrust of the book. But boy is it infuriating.

***

*If memory serves, previous similar things have involved Xwordage + Yno of further readings, proportional to length of entry.

oursin: Grumpy looking hedgehog (Grumpy hedgehog)

About 2 weeks ago I ordered a book from The Book Depository and foolishly forgot to check the 'do not post to billing address, use this one instead' box, so when I checked the order I perceived that it was winging its way towards my home address.

Allegedly.

Being a paperback it might just have fitted through the letterbox, or at the very least, one would have expected a 'tried to deliver, you were out' card.

Neither of which has eventuated.

I contacted TBD who say the book was indeed dispatched on the date given, check with the Post Office.

Hollo laffter.

The Royal Mail website gives as phone no for the local sorting office (which, as I am sure I have mentioned heretofore, is right at the opposite end of the postal district and inaccessible by public transport) what turns out to be the general PO phone menu line, which leads one a merry infuriating dance through various options none of which quite fit, and the most likely of which simply produces a recorded message of quite remarkable lack of helpfulness. There does not seem to be any option to speak to an actual person, not even staying on the line after a tinny voice mentions that you've failed to hit any of the options offered.

I find a local business directory type site that provides a number for the sorting office, which is either permanently engaged, or, even more likely, off the hook altogether.

So far, so frustrating.

I also have a side-bet on either the book itself, or the 'you wuz out' card having been delivered to same numbered house in parallel road, since we get a certain percentage of their mail in error, and there have been one or two occasions when I suspect our mail went to theirs, and they were away (massively over due date credit card statement).

oursin: Photograph of Queen Victoria, overwritten with Not Amused (queen victoria is not amused)

(Post linked via someone on my lj flist, irksome narking about this in the comments. Duh.)

But The Crimson Petal and the White is not only set a good decade before Jack the Ripper was prowling the streets of Whitechapel, but in entirely different areas of London. His activities were really very localised in time and space.

So that's why no-one was likely to be mentioning him in CP&W.

Plus, actually there was a huge range of prostitutes in Victorian London and not all of them were doing it against a wall for a glass of gin in the East End slums.

So please, commenter over there, not to be quite so sniffy about its historical accuracy from a position that's not quite as superiorly knowledgeable as you imagine.

ETA This seems to me to be the 'all the past was happening simultaneously' fallacy.

My sense is that Michel was actually being very specific about when CP&W was set: AND mightn't any srs writer working on this subject want to avoid the obvious? Esp as has been done (Wedekind/Pabst/Berg's workings of the Lulu story).

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