oursin: Books stacked on shelves, piled up on floor, rocking chair in foreground (books)

But wouldn't it be nice if the expectations were not actually preconceptions, as in the recurrent case of people who decide that they will read A Random Romance (quite probably one from Quite A While Ago) and feel entirely qualified to amusingly crap all over a very varied genre.

Do people do this with any other genre? I am sure one could do this with the prenatural resilience of the hero in numerous thrillers or the somewhat coincidental way our hawkshaw fortuitously encounters CLEWS in unravelling a mystery.

(Actually I would not be surprised if at one point there was a genre of people dissing on mysteries, especially the ones writ by lady-writerz, no?)

There has also lately been the instance of someone reviewing the sequel to a book they had not read and being dismissive -

- and I thought that was pretty bad, but I was a bit beswozzled by all the people commenting on this saying 'Should have read Volume 1 first'.

Because, okay, if you are reading something that is complex world-building and intricate character relations, etc, and there has already been a lot of set-up, you are going to miss stuff -

- but, I depose, and I realise I may be drawing on a life-experience of walking into movies at random points and grabbing the volume by author that happened to be on the library shelf that day* or actually on the shelves in Dark They Were And Golden-Eyed and this was not necessarily Where The Story Began. And maybe spending a fair amount of time and effort trying to find previous or missing installment...

The question should be, did this [middle book] engage me as it was, and did it also have things about it that made me want to read [first book] to get up to speed?

I am pretty sure that somewhere Diana Wynne Jones said that it was very liberating to write for children because they did not have all those expectations and they just let the story unroll because they expected there to be gaps in their knowledge - something like that, anyway. They did not need it all laid out for them in the way she found you had to for an adult audience?

*As in the case when I had read something raving about Dorothy Dunnett and the Lymond saga and what happened to be on the library shelf was The Ringed Castle, no 5 in the sequence and heaving with backstory and intricate character relationships, and I actually read backwards to The Game of Kings and then Checkmate.

oursin: George Beresford photograph of Marie of Roumania, overwritten 'And I AM Marie of Roumania' (Marie of Roumania)

The longform patriarchs, and their accomplices: Beyond the white male canon: Bernardine Evaristo’s New Statesman/Goldsmiths Prize Lecture offers a manifesto for the creation of a new, inclusive literary landscape:

This essay notes that novels by women and about women are often demeaned by the longform patriarchs and their accomplices, as “domestic”, even today, even when they are not. And even if they are, the domestic sphere is where most of us live out the majority of our lives, so what, exactly, is inferior about it? On the other hand, when male novelists write about the domestic sphere, they are considered to be ruminating on the meaning of life, the “human condition”, the state of the nation, the universe, everything.

It might appear that a certain kind of longform patriarch, and his accomplices, who have looked down their noses at everyone else since time immemorial, are on their way out, especially when some of them have been heard to proclaim that the novel is dying – and even dead. So what hope is there for them? They have consigned their own careers to an early grave. Perhaps they have no idea about the state of the novel, because they still mainly read identity novels by and about people like them. They are the true identarians who have no idea that the novel is thriving because of the fresh perspectives and narratives infusing it with new ideas, stories, cultures, life – because they don’t actually read them.
Sing it!

The forgotten female writers of Play for Today: 'If you failed, it was pretty public':

Apart from the masculinity of the commissioning apparatus and the shortage of women in the feeder medium of theatre, another reason for the invisibility of women may have been that feminism, though clearly a form of politics, did not fit easily into the series’ more Westminster-centric definitions of power and opposition.
Also memorialised by Lucy Mangan. (I remember it as The Wednesday Play.)

***

How egg freezing got rebranded as the ultimate act of self-care: The procedure has gotten a makeover thanks to fertility startups, but some doctors are pushing back on efforts to appeal to younger women.

On average, egg freezing costs $15,000-$20,000 a cycle, including medication, treatment and storage, and the average patient undergoes two cycles. “If you consider the economics of that, what a terrible investment, to spend $15K to get a 15% chance,” said Gwen Schroeder, a documentary photographer and film-maker based in Brooklyn.
....
The vast majority of patients who undergo the procedure don’t end up using their frozen eggs. The usage rate for frozen eggs ranges from about 3% to 9%. For this reason, women contemplating egg freezing can find themselves in a bind. The younger they are when they freeze, the better the likelihood that they could have a successful pregnancy, but the lower the likelihood that those eggs will get used. The older they are, the higher the likelihood that those eggs will get used, but the lower the chance of successful pregnancy.

(From 2017, but I doubt it's that much out of date) Why Giving Birth Is Safer in Britain Than in the U.S.: The U.S. and the U.K. used to have the same rate of women dying in pregnancy and childbirth. Now, Britain’s is almost three times lower. Here’s what they’re doing right:

Underlying these contrasts is a different view of the medical responsibility to mother and child. In the U.S., laudable aspirations for infant safety have intensified focus on the fetus — more sonograms, continuous fetal heart monitoring and granting rights to the unborn. But these measures may at times distract attention from the mother’s health.

By contrast, British medical professionals are legally required to prioritize a mother’s wellbeing if both she and her baby are in danger. They’re trained to stabilize mom first, and then tend to baby. “That sense that the woman (while the fetus is in utero) is the agent in charge is in place. I think that’s the right way,” said Denis Walsh, a midwife and associate professor in midwifery at the University of Nottingham. “Otherwise you start undermining individual women’s autonomy and then you go down a slippery slope.”

A group of more than 100 Italian women have asked prosecutors to investigate who is behind the burial for nearly a decade of foetuses in graves marked with the names of their mothers in a cemetery in Rome:

The burials are permitted because of a law updated in 1990 from one that was created more than 50 years earlier by Benito Mussolini’s fascist regime. Anti-abortion, Catholic and far-right groups have for years pushed for the creation of “fields of angels”, often finding support among local politicians or those working within public institutions.

But Turco, who was health minister between 2006 and 2008, activists and gynaecologists say they were not aware of the practice of naming mothers on the graves until now.

“The question of privacy is serious and we need to find out who’s responsible,” Turco said. “But it’s obvious that this initiative is the fruit of a mobilisation brought forward by Catholic groups that we perhaps underestimated – not just in Rome, but across Italy. They probably constructed relationships within the institutions and so found complicity.”

oursin: Hedgehog saying boggled hedgehog is boggled (Boggled hedgehog)

I have, my dearios, lately been apprized of a forthcoming work the advance notice for which suggests that the authors of whom the reader will detect 'echoes' are Thomas Mann and Flann O'Brien* (Penguin books tout him as 'Ireland's greatest comic writer', which one must concede must be a hotly fought-over crown).

Quite apart from that being an oddly assorted match (though I will cop to having, very much back in the day, found Confessions of Felix Krull Confidence Man unexpectedly amusing) -

- the work in question is an m/m romance set in particularly parlous times.

I will not expatiate on the premise of the romance which is horrible in the extreme. It should go to Venice, go straight to the nearest canal, and plunge in without waiting for the cholera epidemic to supervene.

But really, this seems a pitch that is quite surreally all over the place and suggests a random grasp at some degree of litcred by invoking novelists of the nationality of the characters in question (we add that there is significant crassness in the choice) - in order to signal that this is not just soppy ro-mance or smut. It is writ by a bloke, which of course does not entirely rule out the preceding, but often signals that ponceyness is forthcoming and litrachur is in the offing.

It makes one wonder whether people in The Trade of Producing and Publicising Books are required to know anything about them?

I lately came across a Twitter thread - admittedly it was doing the Tweeting equivalent of throwing up hands in horror, gasping and stretching of eyes - about people who set out to write books but Do Not Read Books. The kindest explanation that was given was that, if you want to do A Creative Thing, the startup requirements for writing are fairly low-investment, and Eny Fule No how to put words on paper/screen.

But possibly people also want to work in a bookish ambience but not actually read the things???

*Many years ago I saw a novel which was blurbed as 'In the tradition of Flann O'Brien, Edna O'Brien, and [some other Irish writer of great distinction, possibly Beckett, maybe Joyce. Not, I think, dear Oscar or Somerville&Ross]' and my immediate thought was 'that is a dog's breakfast'

oursin: The Delphic Sibyl from the Sistine Chapel (Delphic sibyl)
The British creativity I grew up with – in pop, fashion, poetry, the visual arts and the novel – has almost always come from outside the mainstream

A codslap (one of several) delivered to That Person Woezing About Diversity = End of Civilisation, or something.

Which sounded awfully like those wails whenever the playing field does actually become even a little more level...

I fear I have more than once perorated in this venue that the place where creative things are happening is not the mainstream/socially accepted spaces, it is among people who are vagabond players and writing things that 'only a novel' and other despised forms written by despised out-groups.

During the conference last week I consoled another scholar who was deploring the fact that at Large Conference Pertaining to Their Disciplinary Field the panels on their rather innovative work using new approaches/texts were seldom outnumbered by the audience, while down the hall, Same Old Same Old On Same Old Texts By Same Old Canonical DWMs were packed to the doors. Lo, said I, I am a historian, and innovations always start with half a dozen people being largely ignored and overlooked. (Dorothy Hodgkin doing crystallography in a curtained-off bit of corridor, e.g.)

Also, I went on, when I began in my little corner of history, there were about three other people doing work in the same general area, and I am not sure any of us had secure formal academic positions, plus maybe a few people flying under flags of convenience. And now the field has positively exploded: and, I said, the Brash White Boys are coming in.

(Of course, they will rewrite the genealogy of the discipline, she adds cynically, but I did not do so at the time.)

oursin: George Beresford photograph of Marie of Roumania, overwritten 'And I AM Marie of Roumania' (Marie of Roumania)

Have been noticing on Twitter people remarking that spectacles are not a stigmatised assistive technology and neither is the need for them -

Well, maybe that is so now, but I think we have had some discussions in comments in this here venue about the Victorian resistance to letting people with myopia wear glasses rather than struggle and try to accommodate and the idea that wearing glasses was somehow 'giving in' (okay, maybe this was a particular Thing in the works of Charlotte Yonge...)

And people are shocked! shocked! when they come across Marie Stopes's hostility to having a daughter-in-law who wore 'hideous specs' and would communicate that defect to her offspring, and I do not say that it was not gross, but it was an idea that was not unique to Marie but fairly pervasive in early C20th Britain. I have come across someone who was both a communist and a eugenicist arguing that Capitalism was causing the proliferation of the hereditary defect of glasses-wearing among the population, I have discovered men who were, one would think, the sort of men who would have been considered, by people who thought in such terms, eugenically desirable fathers, refusing to become sperm donors because of their very correctable defects of vision.

I also think there are still some attitudes/preconceptions around glasses-wearing - the association with intellectual rather than physical activity. I'm not at all sure we don't have some of the old women-wearing-glasses thing continuing to go on, though I'm thinking of films I've seen where the young woman putting on glasses signals her shift into to a more serious/academic persona. And certain instances - the one I think of immediately is Wesley at the beginning of Season 4 of Angel where from being a bespectacled bookish drip he has become a stubbly non-bespectacled brooding badass - there is also a male version of what happens when he takes off/puts off his glasses (is the ur-instance Superman/Clark Kent?).

oursin: Illustration from medieval manuscript of the female physician Trotula of Salerno holding up a urine flask (trotula)

Have been trying to resist moaning on about an exchange on a listserv I was engaged in over the weekend, because I seem to be being grumpy hedjog going 'these people NO NUFFINK' far too often these days, and it wasn't so much, in this instance, knowing nothing as having various assumptions about the transmission of knowledge and what knowledge was getting transmitted, on certain issues to do with health and bodily understanding.

So, anyway, was thinking about this, and how this sort of knowledge is fairly ungettatable unless you have people who were writing about in diaries and letters (and even then, could have been a taboo subject they didn't even talk about to themselves or close friends/relatives) or they survived into the era of oral history.

And, even if people had access to published texts (of which indeed there were a multitude at a range of discursive levels) what did they make of them and how did they relate them to their own bodies.

Which led me on to think about folk beliefs and popular understandings, and that if I had been thinking about this sort of thing several decades ago I might well have tried to get my paternal grandmother to record an interview (though I'm not sure how successful that would have been). Because the odd things I can remember her saying about various things that were clearly about some concept of the body and health and even, in my current state of knowledge, have some resonance with bygone theories, suggest that these were, in fact, lingering on into the post WWII era.

Not that I should be surprised when there was a medical anthropology study done during the 70s in a Home Counties general practice which found that many patients were still basically operating on humoral theory.

There were a couple of things about blood that my pg used to say: 'vinegar dries your blood up' and 'it's bad blood' (of my not-infrequent nosebleeds) that make me think that something very similar was in play there.

This was well into the era when women's magazines (which were pretty much the only thing I remember her reading) were all about the up to date health info for their readership.

oursin: Photograph of statue of Queen Anne overwritten with the words Shock news She's dead (queen anne's dead)

My dearios will doubtless be aware that I am never not irked when somebody responds to a listserv or whatever request for historiography on some subject with title of some book that a) was published 30 years ago &/or b) sounds from the title that it might be relevant, but actually isn't (good luck with finding out anything on Victorian self-abuse in Solitary Sex, just sayin').

Far greater the degree of irk when somebody posts as a comment to a post on my academic blog (which got quite a lot of coverage and re-postage) which I think indicates that I R A NEXPERT on the topic, with no more than a link to amazon.com to a book that a) came out over 30 years ago b) was a lightweight if not entirely fluffy selection of letters to [Noted Figure in Reproductive Health].

I may add that I am considered an Internationally Renowned Authority on NFiRH, at least in part because I have worked on the 1000s of letters from which this was a teeny-weeny, not particularly typical, example (focussing on the weird and the dramatic rather than the sad parade of ignorance, anxiety and misery).

The historiography, I am aware of it. I have acted as reviewer/reader for a lot of it, srsly.

Peeves B fractious.

oursin: a hedgehog lying in the middle of cacti (Hedgehog among cacti)

It's been linked everywhere and I don't feel like giving it hits but there was a lengthy post about Worldcon which amongst other gripes was 'OMG, Old People!'

As one of those greying beings who was flitting about the ExCel Centre -

- And whose first ever Worldcon it happened to be -

- Was, really, not best pleased.

It seemed to me, apart from the general ageism, to be making a dubious case that everybody over a certain age was a Benighted Dinosaur, and that (presumably therefore) everybody under a certain age was an Enlightened Being.

To which I pound my ebony walking stick on the floor, flourish my ear-trumpet, and set about me with an antimacassar set on stun.

I think we have sufficient evidence that age is not an identifying characteristic for racist, misogynist, homophobic, ableist (etc) trolls, so the idea that This Generation is Oh So Much Better than that older one over there is not really sustainable (particularly once you put ageism into that mix, no?).

While I concede that there are people who have been on the sff scene for a long time who could go up against the Bourbon Dynasty in a Learned Nothing and Forgotten Nothing Face-Off -

- am less than in any kind of sympathy with the Younger Person Who No It All and doesn't think that there is anything for them to learn.

oursin: Painting of Clio Muse of History by Artemisia Gentileschi (Clio)

I've surely flagged up heretofore the 'popular mind''s very loose grasp on what happened when and issues of periodicity - the Long Elizabethan era (in which Milton, we are given to suppose, must have written under Gloriana's never-ending rule); the Almost Interminable Regency (Undead Prinny stalks the realm; no really, one Brighton Pavilion was ENUFF already); the Long Victorian Age (for which I can make a scholarly case as a historian, but I would still not classify Jane Austen among the Victorian novelists).

We also have The Dark Ages, which to some minds still appear to stretch pretty much from some time during the Roman Empire until, approximately, the Renaissance.

I was reminded that the peeves were a bit upset by this review by Nicholas Lezard which mischaracterises long and diverse centuries, by sitting with the Aged P watching a programme about Athelstan, grandson of King Alfred and pretty impressive in his own right.

Someone who in the C10th was all about law, order, trade, culture, etc, even if there was also a fair amount of fighting involved in ruling.

Anyhow, not so much the grimdark painted by Lezard (whom we suspect is Not A Historian).

oursin: Books stacked on shelves, piled up on floor, rocking chair in foreground (books)

How many books is too many books? What makes you a book hoarder? What do you do when you have too many?

This irritates me. Particularly when the ceiling for the designation 'Compulsive Book Hoarder' is a measly 1000.

I don't really think this article makes the necessary distinction between 'book hoarding' and people who keep books because Research! and Re-reading! and Future Reading! Sometimes I buy books either because who knows when I'll see another copy at affordable price or in order to have in case of future urgent desire to read or just running out of anything else to read.

I take bags of books to the local charity shops from time to time, I don't just sit on the ever-increasing pile - though I was looking at the shelves recently and thinking I might clear out some of the deadwood that I'm unlikely to read/re-read ever.

But I'm not sure there is a such a thing as 'too many books' except in the context of the contingencies of space to put them in.

oursin: Text, nits, for picking of, lettered onto image of antique nitcomb from the Science Museum (nitcomb)

- it really disinclines me to reading further when an article begins with a historical comparison at which I go 'well, no' and 'what about...':
the Aids pandemic, which has perhaps caused more shock and anguish than any other infectious disease since the black death

and 'you really haven't thought through the history of epidemics, have you?'

As in, I could immediately go 'Spanish flu pandemic, 1918-19' and 'C19th cholera pandemic' and 'have you considered the late C15th-C16th arrival of the previously unknown disease known as the Italian/French/etc Pox?'

There are probably others.

My own sense is that a lot of the 'shock and anguish' about AIDS was the product of a rude awakening from a short halcyon period of triumphal medical science combined with the payoff of a rather longer period of public health interventions.

oursin: Hedgehog saying bite me (Bite me hedgehog)

My attention has been drawn to this article about OMG getting to 50 and growing old, which I'm actually finding quite annoying.

How many people can say, following a fall which (honestly) could surely have happened to anybody at anytime, like the moped/pedestrian crossing thing that happened to me in my 50s:

I’ve never regained an absolute trust that my body will automatically fall into line with my will: from now on it will falter and fail. I can no longer depend on it to function properly. This, it seems to me, is solid indication that my youth has ended and middle age begun.

To which I was thinking, no, this is a revelation that you have not been subject to a lot of the nigglesome and tiresome things about bodies to which the flesh is heir, even among those of us who would probably count as able-bodied.

Never, throughout my life, young or old, have I felt that my body will 'automatically fall into line with my will'. Migraines, menstruation, colds, fevers, food-poisoning, accidents, tripping on things, being unable to reach things on high shelves, being unable to lift more than a crtain weight, limitations on how fast I could run - all these were things which, will it as strongly as I might, I could not affect.

Surely very few people do feel that absolute surety? There must be some sense of limitation falling between the will and the capacity to embody it.

oursin: Illustration from medieval manuscript of the female physician Trotula of Salerno holding up a urine flask (trotula)

Apparently - I haven't saved link, which was to op-ed column about rather than the source - someone has just committed another It's All In The Genes book.

In which I am given to understand that a claim is made about the British aristocracy having large families...

Which is deeply curious, because Sir Francis Galton, founder of the 'science' of eugenics, or at least its namer, averred that from his study of this same group in the C19th, aristocratic families tended eventually to run to daughters and die out or at least, The Name vanished.

This could, of course, be the view of a member of a rising professional middle class about the effeteness of the upper classes and their need to outbreed from time to time to restore (manly) vigour.

I have a reference to Proceedings of a seminar I once attended that says that prior to c. mid-late C18th aristocratic ladies tended to get pregnant at atypically frequent intervals because of the practice of putting babies out to wet-nurses, but with the rise of changing ideas of motherhood so that they nursed their own offspring this altered.

Evelyn Waugh (according to Nancy Mitford) claimed that only the middle classes practised birth control. We are not entirely convinced of the soundness of Mr Waugh's demographic researches.

I also feel that the effect of those very high-class ailments The Pox and The Clap may have had some impact on fertility, no? (Sid sez HAI!)

Plus, some of those large families in the C18th and C19th were of very assorted parentage due to the convention of 'heir, spare and then some leeway for extramarital activity'.

So, really, I would like to see the workings on this, except I am not sure I could be bothered to actually spend time reading any work that is based on the premise indicated, when I could be alphabetising my spice rack or simply staring at the wall.

oursin: George Beresford photograph of Marie of Roumania, overwritten 'And I AM Marie of Roumania' (Marie of Roumania)

I've finally taken a look at that How Privileged Are You questionnaire, and I am -

Wow, very US-themed. (so many questions that are pretty much meaningless in UK context.)

So, particular generation.

Such, lack of international travel except possibly in a group.

When I was traveling in South Asia, back when, I was oft at that given moment the only person of my race in the airport departure lounge, train carriage, etc.

I have been randomly selected for secondary passport control checking. (And that's not counting the scary thing when changing planes in Moscow in '78.) I'm also not at all sure that being nervous in airport security lines is not one of those common nervous-making things in many people's lives, like dentists.

I regard it as a signifier of some kind of privilege to live in a city which has a decent public transport system and not to have to rely on a car.

I am also somewhat, no, make that exceedingly, irked, by the pick of 'You are heterosexual' rather than 'The relationship you are currently in conforms by outward show to society's notion of an appropriate heterosexual relationship'.

oursin: Brush the Wandering Hedgehog by the fire (Default)

Does anyone who actually reads think that British readers and writers 'ignore their Imperial heritage'?

British readers and writers need to embrace their colonial past

There was a point when reading that article when I wondered if MJ Carter had actually read anything published later than 1930, apart from postcolonial theory. We are also not entirely convinced that she has read Kipling, rather than reading about him.

This strikes me as yet another example of somebody going on about something without having done the reading.

And while she mentions the usual bloke suspects writing in the heyday of Empire, do we see any mention of Flora Annie Steel or Maud Diver?

Are we tempted to read her historical thriller about the suppression of Thugee?

Will concede that if I reread John Masters' The Deceivers I should no doubt find it highly problematic in many ways.

I can't quite decide whether Carter was a passionate fan of imperial adventure stories at an impressionable age, or has actually never opened any example of the genre.

Tempted to send her the entire Flashman saga.

oursin: Drawing of hedgehog in a cave, writing in a book with a quill pen (Writing hedgehog)

[A]University of Cambridge professor of modern German and comparative culture, Andrew Webber, branded the acclaimed literary novelist Philip Hensher "priggish and ungracious" for refusing to write an introduction to the academic's forthcoming guide to Berlin literature for free.

I do absolutely get this thing where people who make a living from writing are frustrated and annoyed about literary festivals, and a whole range of other 'institutions, organisations, literary prizes and events who expect authors to do things for very little or no money' for exposure or glory or just in order to Promote Cultural Values.

However, I suspect that differing expectations on either side of this transaction were in play. Academic culture runs a lot on doing stuff for free for credit points of other kinds. I have written book chapters for which my only reward was a free copy of the book (wheeeee).* I have read people's mss for publishers for no monetary reward but free copy of one of their books. I have read books in ms in order to provide a back-cover blurb for a free copy of the book when published. I referee articles for absolutely no reward but a conscious glow of virtue.

And, of course, you do not get paid when you publish academic articles. (These days, they ask you to front up considerable sums if you want your piece to be open access online.) I was deeply suspicious when an article in Guardian Weekend averred that during a period of financial stringency, 'Occasionally Gordon would manage to sell an academic essay'. There was a time when one got some meagre one-off sum for book chapters, but on the whole, academic essay writing is not a remumerative occupation. I suppose they might have been in a position when even tuppence ha'penny was a significant contribution to their budget...

Anyway, my feeling is that within the academic community if someone were to be asked to contribute a preface to some work within their field of interest, money would not be on their mind. (In my case, it would be did I want my name to be associated with it: I was once obliged to read an ms about which my only snap response was 'total waste of trees', which I doubt would have been usable cover copy.)

Different economies.

*Okay, now, thanks to ALCS, I do occasionally see some money from reproduction rights, all praise be to ALCS.

oursin: Brush the Wandering Hedgehog by the fire (Default)

Another dire idea in approximately the same category as 'cosy sitcom about funny suffragettes': Cecil, George and Bert, the only young men left in the sleepy provincial village Rittle-On-Sea who are either too scared, morally challenged or physically disfigured to sacrifice their lives for the great war. Do we feel that this merits being mentioned in the same room, never mind the same breath, as Blackadder Goes Forth? We totally think not.

Yet another somewhat patronising piece about a great British women's institution: The Women's Institute is enjoying a resurgence among the UK's young city-dwellers. And no wonder: it's progressive ethos is perfectly compatible with modern ideals. I omit the actual headline, which invokes the usual J&J cliche, kill it with fire. Though at least there is recognition of the stereotyping with which it's often depicted.

I am somewhat cheered by this piece on how practising something for inordinate numbers of hours will not necessarily make you an Olympic champion/great musician, and that it depends to a significant extent on your existing endowment of capacities that can be purposefully trained.

I thought this was going to be yet another instance of male writer has epiphany as a result of FATHERHOOD, but makes some intriguing points:

Connolly... speaks out of a long and toxic tradition that sets art (ethereal, otherworldly, all unravished brides of quietness and unreal cities) against the mundane domestic world. It's particularly toxic for men, since it suggests that in order to be true to your work, to have a chance to do it well, you must betray, or at least skimp on the commitments you've made to your partner and your children. It's an idea that has given a license to generations of male writers to behave – not to put too fine a point on it – like assholes. Moreover, it's blind to the idea that being a father, with its intense, earth-shattering experience of love, could ever provide material for art.

This sympathetic history of hostilities faced by Travellers and Gypsies sounds intriguing, but is it the author or the reviewer who believes Sanskrit is 'spoken in northern India'?

Kathryn Hughes administers a few light taps with the codfish to Victoria's Madmen by Clive Bloom, and we are inclined ourselves to file it under Yet Another Book Yet Again Undermining Stereotypes of the Victorians, We Have Been Here So Often Before, When Will It Ever End. However, Hughes does suggest that though the book is bitty, and doing that thing that I notice far too much of these days, which is vignettes where the reader is supposed to do any work of teasing out the connecting thread, it:

does throw familiar Victorians and their situations up in the air and allow them to fall in unexpected and often intriguing patterns.

Not only is she going to be on banknotes, her shadow still falls heavily on litfic: joint review of two new J Austen hommage novels. One of which sounds of some merit, doing the equivalent of The Wind Done Gone by taking the servants' view of P&P. The other hits at what I have noticed in other 'updates' of Austen's plots:

Austen's women were privileged but they were also trapped, as women today are not, by financial dependence, by social convention, by the requirement to make a good marriage. The Adair girls have no such limitations and, as such, their struggles lack depth. Melancholy emerges as petulance, regret as self-pity. The Adairs' troubles are born less of bitter circumstance than of passivity, of a belief in a birthright that was never theirs to believe in. If Hall had tackled this – the entitlement culture of the 21st century; the belief that the beautiful deserve to be happy – it might have made for a fascinating novel.

Interesting woman: After the second world war, a team of art experts tried to rescue the thousands of artworks stolen by the Nazis. Now Anne Olivier Bell, the last of the 'Monuments Men', is to be the subject of a George Clooney film - and as my dr rdrz surely know already, she was also the editor of Virginia Woolf's diaries.

Returning to the theme of public intellectuals: an account of the 'Two Cultures' dingdong between CP Snow and FR Leavis. It is taking a pro-FRL stance, and we, ourselves, are making like a goldfish at the intelligence that CPS ever thought that he might have been in the running for the Nobel Prize for literature, and only lost it as a result of this attack.

oursin: Brush the Wandering Hedgehog by the fire (Default)

Richard J Evans on history, it's all more complicated and the national curriculum.

The problems of re-enactment as a form of historical research (though I can see that it has its virtues if integrated into a broader framework).

O dear: there was an article about the research in this book in the Weekend magazine last week, and, honestly, my dearios, I could not even be arsed to lift a sprat, I was sighing so deeply ('what is good is not new, and what is new is not good': it seemed very been there and done that). I think Emma Brockes pretty well nails it:

The complicating factor, of course, is that arousal does not always equal desire.
....
[R]eading life through brain chemistry will get you only so far.

Sing it. I also rather liked the response to the extract published last week in the letters column: Women probably want not to be lumped together into one homogenous group and told what they want. Plz 2 send Mr H a golden codfish award.

Two reviews of Liz Jones' autobiography: by Suzanne Moore and Barbara Ellen, and interview with Decca Aitkenhead. Or, the category of 'woman' is large, and contains multitudes.

I have a ghastly feeling that I may end up having to read this book, for a reasons some dr rdrz may wot of.

There was much that had me nodding and going 'uhhuh' in this article on TV docos by Mary Beard: the time it takes! the tedium and the repetition! But, really? her programme had an academic researcher for a couple of weeks? a proper, academic researcher? Lucky them. (Okay, I am embittered about this at the moment because I gave a fairly full response to a researcher who was trying to establish if [a certain surgical practice] was happening in the UK in the early C20th: which as far as one can ascertain, was an absolute no-no after the mid-1860s, though there is evidence of its continuing in North America. But subsequently heard from younger colleague that researcher has clearly been badgering other historians in order to find one to say that it was happening. All I can say, vibrators not involved.) But I share her hate on 'computer graphics of exploding volcanoes or B-list actors dressed up as Romans' (or the equivalents for my own dear period of interest, which tends to be 'irrelevant clip of black and white footage').

Val McDermid's more recent work is not in the generic areas I really go for, but I so concur with this:

Because it's sometimes easier to tell certain truths in a novel than through the lens of journalism or history, future readers who want to understand what living in the UK at the beginning of the 21st century was like will turn to our crime fiction. The main reason is the breadth of the lives we encompass. Murder doesn't just touch one social group. Victims and their friends and families; witnesses; killers; cops; the media – they're all sucked in to our stories, and we learn to understand their lives too.

The flipside of that expansiveness is that there's room for writers whose concern is clearly defined groups within our society. Stuart Neville writes about contemporary Belfast, but everything he says about the present is coloured by the city's history and the way lives have been distorted and disfigured by the Troubles. Anya Lipska has launched a series that promises to take us to the heart of London's Polish community. These novels offer us the exotic within the commonplace.

I often find that crime fiction goes to places that are not on the litfic map.

oursin: Frontispiece from C17th household manual (Accomplished Lady's Delight)

I'm not talking about actual table manners here, but about that subtextual claim I was referencing yesterday that proper civilised eating takes place with all the household (except for the servants?) round the table, and engaging in suitable conversation - presumably the mess rules apply of no politics, religion, or sex, talk. Possibly with grace as a prelude? (And, absent servants, involves Mother or whoever is taking on the role jumping up and down and generally having a rather unsettled time of it.)

Okay, I think the fictional convention (is it in TVTropes? I daren't look) that if people get sat down around a table the next thing is Massive Ruxxions, e.g. people throwing down their serviettes and storming out, attacking one another with the cutlery, or possibly expiring from poison, is no real model for what happens either.

But I can think of perfectly civilised ways of consuming nutriment that don't involve strict formality, sitting at a table, or making conversation.

I may have mentioned heretofore a lovely evening my mother and I spent when we were, for some reason, alone in the house when I was 14/15 or so. We had a meal of something nobody else in the household liked and would probably have gone yuck over even if not required to eat it, and read our books while dining in mutual companionability, before going out to the movies.

I am, perhaps, old enough and retro enough to come across somewhat Disgusted Of North London when I hear of people going to dinner-parties and tweeting comments about and even photos of the food while these are in progress (indeed, I think 'phones set to silent, in pockets or bags' is a reasonable rule if you are at a dinner party, as in theatres and concerts).

But at home? There are all sorts of preconceptions bound in with that 'family meal round the table' model, one of which is often that there is a male breadwinner, who must be fed at a particular time.

But that is not the only pattern, especially these days.

Will concede, I concede, that much of the time (um, present company excepted!) I personally would rather be combining reading with eating and have moaned muchly about people in e.g. staff canteens who think person alone with book = person wanting companionship and chatter. And the horror of conferences when they involve refectory breakfasts at group tables.

However, eating alone and with a book (or even with another or other persons, also reading books), doesn't mean that what I'm eating is necessarily microwaved mush full of sugar and E-numbers and dubious ingredients. It may well be a sandwich made from lovely homemade bread...

oursin: Photograph of Stella Gibbons, overwritten IM IN UR WOODSHED SEEING SOMETHIN NASTY (woodshed)

Reading a review of a book on the evils of sugar, I am less than impressed when the reviewer, though conceding that food manufacturers adding vast amounts of sugar to processed foods is a major issue, goes off into a diatribe about the eating habits of 'many British households' (yes, I'd like to have cites for that survey, wouldn't you?).

He claims that 'for a very large proportion of British children, eating is not a social activity at all' and that they are reduced to foraging in the fridge, reheating food in the microwave, because their households do not contain cooking equipment or a table for the family to sit round. They hardly ever see fresh food, which 'takes time to cook and therefore distracts from the distractions - sometimes called entertainment'.

Well, I can think of a lot of factors that might go to this, like living in rented accommodation that is inadequately equipped, and the ghastly stories one hears about the kinds of places councils place certain categories whom they nonetheless have an obligation to house.

Also, that the responsible adults in the household are working unsocial shifts and quite likely more than one job in order to actually have food in the refrigerator, and probably don't have energy over to go in for a great deal of cooking.

It's a very, very class-biased vision, and one with significant historical roots: we note that the supposedly feckless and improvident working class housewives investigated by the Fabian Women's Group in the early years of the C20th were found to be struggling with inadequate cooking and storage facilities.

I think somebody who is, apparently, a retired doctor, ought to consider the material circumstances that might lead to this state of affairs rather than treating it as a moral issue, or indeed, assuming that there is only one way to eat proper.

Furthermore, as a Waitrose-shopping North London, Guardian-reading woman, what strikes me about the local Waitrose is how very socially diverse the shoppers there are.

May 2026

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