Tidying up

Dec. 23rd, 2024 02:55 pm
oursin: Brush the Wandering Hedgehog by the fire (Default)

“Twelfth Night Till Candlemas” – the story of a forty-year book-quest and of its remarkable ending: a seasonal account of a real-life quest:

This post is about finally finding a book from one’s youth forty years later – and after nearly thirty years of searching.
It is also a tale about goblins and Christmas decorations; about the perils of ChatGPT and Artificial Intelligence; and about the real value of librarians, cataloguers, indexers, and archivists – what should be called the Noble Professions.
And it is an account that ends with not one but two wonderful events.

What it illustrates is the value of fuzzy searching perhaps and not being too dedicated to a specific title (which turns out to be wrong).

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Books that don't actually exist: A whimsical new exhibition assembles a range of books that don’t exist, from Byron’s destroyed memoirs to Shakespeare’s lost play. Includes real lost books, and books that appear in fiction.

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This is, very who'd a thought it: because I really would not have predicted that this particular religious sect would have found a foothold there, but what do I know? The Bahá’í Faith in Greenland - admittedly the congregation is pretty tiny:

Beyond traditional Inuit shamanism and Christianity (including ‘sects’ like the Jehovah’s Witnesses), the oldest and largest religion in Greenland is the Bahá’í Faith, which was first brought to the island through a literature propagation campaign in 1946. The first Bahá’í to live in Greenland arrived in 1951, and there are now around 150 believers. The Bahá’í Faith is a monotheistic, messianic, quasi-Abrahamic tradition founded in Iran during the late nineteenth century. It has its roots in Bábism, another movement formed earlier in the nineteenth century by a figure known as the Báb, and it takes many of its structural and stylistic cues from Islam, although it has generally been proscribed by Islamic authorities due to its belief in continuing revelation (i.e., prophetic revelation after the Prophet Muhammad) and its opposition to hierarchical religious power structures.

I am particularly struck by the cross-creed reach of Heber's hymn about 'Greenland's icy mountains' - anyone prepared to bet that was put in for scansion purposes?

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Slightly less who'd a thought it, because things even from that distance in time turn up In The Archives: new info on the Chevalier d'Eon:

On 27 November 1776 a case came before Lord Mansfield, Chief Justice of the Court of King’s Bench, in which, the Morning Chronicle reported, proceedings were repeatedly interrupted by the ‘loud and hearty laughs’ of all in attendance. The cause of such mirth was the reading aloud of a set of letters written by the Chevalier d’Eon, a French spy and diplomat, and complainant in the case....
The letters were only recently discovered in the King’s Bench collections at the National Archives, enclosed in John Goy’s translations. These letters, and the legal records created as part of these cases, provide us with an invaluable insight into the enigmatic Chevalier d’Eon during this transitional period in his life.

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Women in public spaces: Emotion and Space in the Mid-Victorian Women’s Suffrage Movement:

Sir Alexander Beresford Hope MP warned against ‘forcing [women] into the arena of political excitement, where they would be exposed to the animosities, the bickerings, and the resentments which are so unhappily inherent in the tough work of electioneering’.[3] Beresford Hope’s description of ‘the arena of political excitement’ was laden with vivid emotional language, through which he asserted that casting a vote would prove pernicious to feminine emotional virtues.

I'm a little surprised that the civilising influence of women on this situation was not invoked, but rather the fact that women were, actually, already participating in elections for local School Boards....

Moving scientific knowledge from the laboratory to the theatre: Humphry Davy's Lecture practice at the Royal Institution, 1801–1812. He was considerably dissed on for attracting a large number of women to his lectures (including demos of nitrous oxide). Jane Marcet was inspired by them to write her famous Conversations in Chemistry, and it does appear that children attended these lectures along with their mothers.

oursin: Brush the Wandering Hedgehog by the fire (Default)

Revisiting the question of people actually moving around in The Past: this seems to be mostly about those who had the time and the money to voluntarily travel rather than for occupational reasons, but still, of interest: Should I Stay or Should I go?: Encouraging travel in the early modern period.

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This is interesting: Invisible Ink: Unearthing the Work of Female Screenwriters but I found it a bit frustrating because it's not entirely clear whether the scripts eventually got produced - clearly some of them did (I've seen Pink String and Sealing Wax) but I'm not at all sure, at the period in question, that a movie about a doctor's ethical dilemmas over abortion would have got past the British Board of Film Censors. I need to dig deeper into this....

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A couple of things relevant to Pride Month:

What ‘Operation Tiger’ can tell us about LGBTQ+ publishing in the 1970s and 1980s:

Most of the works seized were published post-Stonewall and captured in print an emerging and increasingly confident and distinct LGBTQ+ voice. Forty years later, the seized books provide us with an unexpected layer of social history, by presenting us with a microcosm of LGBTQ+ publishing in the USA during the 1970s and early 1980s.

Featuring more than 900 candid interviews, the Old Lesbian Oral Herstory Project seeks visibility for those long denied it:
Arden Eversmeyer, a retired Houston schoolteacher who devoted her retired years to campaigning for visibility for older lesbians, who she felt were missing from the cultural discussion, began interviewing women in 1998.

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Sff foremothers:

Ursula K. Le Guin was her own toughest (and best) critic:

To say that the Le Guin we meet in this book is argumentative, sometimes unfair, sometimes wrong and even self-contradictory is not to diminish her greatness. It is rather to rescue her from the dullness imposed on her by her canonization.
....
It’s a pity that Le Guin was one of the few writers to engage her work with such passionate intensity. Where most others were content to gesture at the existence of “The Left Hand of Darkness” as settling the question of whether science fiction could push against conventional boundaries, Le Guin was willing to ask herself if she really succeeded in doing so, and to say that the answer might be no.

2007 interview with Joanna Russ about slash and fanfic (published 2011 in Journal of Popular Romance Studies.

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And further on foremothers: Charlotte Despard: Mother of Battersea, suffragette, and socialist rebel:

She spent a great deal of time in Ireland and in 1908 joined Hanna Sheehy Skeffington to form the Irish Women’s Franchise League. Throughout the Irish War of Independence, together with Irish republican revolutionary, suffragette and actress, Maud Gonne, Ms Despard collected first-hand evidence of army and police atrocities in Cork and Kerry. The two women also formed the Women’s Prisoners’ Defence League to support republican prisoners and in 1921, Ms Despard shared a house with Ms Gonne in Dublin.

(I would so have liked to see her go mano-a-mano with WB Yeats....)

oursin: George Beresford photograph of the young Rebecca West in a large hat, overwritten 'Neither a doormat nor a prostitute' (Neither a doormat nor a prostitute)

Spotted lately again, that irksome phrase about well-behaved women not making history.

Clio begs to differ: unless, of course, you define 'well-behaved' along the lines of a lady only appearing in the newspapers when she was born, married and died (? and when she produced offspring for her lord and master?).

But, honestly, there have been times when at the very least making like Marmee and keeping the anger down and turning a soft answer was the correct strategy -

- or just beavering away in less than ideal circs doing your crystallography until, you know, they ultimately had to give you the Nobel Prize, Dorothy Hodgkin -

- considering upon longer goals, as in the case of Emmeline Pankhurst, her very own self, when applied to by an anxious Letitia Fairfield, then a medical student, concerned that if being a militant did not get her chucked out of medical school, it would probably lead to the relative who was funding her cutting her off, and Mrs P was of the opinion that Letty's work for the Cause was getting her medical degree -

- and that being a rebel in one sphere may mean that you have to be extra-specially careful to demonstrate your conventional respectability -

- as evinced over a considerable length of time by ladies active in the birth control movement. While some of them could not evade/courted notoriety, others found it prudent to duck and dodge. I cite, prima, Alice Drysdale Vickery (Secularist, Malthusian, living in a free union with C R Drysdale and mother of his sons), who conceded to the London Medical School for Women that to avoid the extra scandal that would be accrued to an already suspect enterprise by any association with the Malthusian League, she (and two colleagues) would cease birth control activism until such time as they got their medical licenses.

And, secunda, the dance of performative respectability the National Birth Control Association, later the Family Planning Association, was obliged to tango, in spite of the personal views and actual love-lives of many of its founders and leading figures.

I suppose I have been been meditating upon this partly through having had to revisit Alice Vickery for a project I was commissioned to, and partly because of this post in [community profile] agonyaunt ('I’m also slightly worried, because it’s normal and healthy for kids his age to rebel': he's clearly rebelling against his family, or his mother's, idea of what constitutes fun. Or at least, this is the take of somebody who mostly would have rather sat at home and read.)

oursin: Photograph of Queen Victoria, overwritten with Not Amused (queen victoria is not amused)

The waterways of the UK are awash with sewage and I daresay there are faint earthquakey rumblings in the vicinity of Wimbledon, where Sir Joseph Bazalgette is buried.

And today was spotted in the wild somebody hymning the praises of wood-burning stoves in the Telegraph.

Hai, let's go back to the Great Smog and the London Pertickler!

Quite apart from the environmental impact of burning wood - cough choke - there's the environmental impact of where the wood to burn comes from....

I suppose at least it's not a fossil fuel?

Goodness knows what was going on in the minds of the protestors throwing soup at Sunflowers (behind glass, fortunately). At least when Mary Richardson slashed the Rokeby Venus there was an obvious symbolism to the protest. We feel that Vincent would have been on their side?

Somebody did mention somewhere that funding art exhibitions is a favoured form of culture-washing by oil companies. But this was hardly explicit?

Apparently there were also cavils about Wasting Food?

To which I saw one response that selling the painting would feed I forget how many millions -

Except there is that thing of selling treasures that are in some form of public ownership to raise money, and the likelihood that they will end up in some private vault? (e.g. library some years ago that had a spare First Folio and a financial crisis.)

oursin: George Beresford photograph of the young Rebecca West in a large hat, overwritten 'Neither a doormat nor a prostitute' (Neither a doormat nor a prostitute)

Recently came across a Twitter thread about the Awfulness of Marriage and how women go into it, still, without reckoning on what it's going to be like -

- and I am not linking to that because it's Too Damn Depressing -

- and at first I thought, you know, I was reading all these novels in the early to mid 60s about 'Marriage Is A Trap and not all it's cracked up to be' and have we not progressed since then, or is this the dread spiral of history and feminism and so forth and all coming around again -

- and then I thought, DAMMIT, Cicely Hamilton wrote Marriage As A Trade in the Edwardian era and it is a sorry thing to consider that in spite of the various advances since then (the suffrage, improved divorce arrangements, better contraception and access to abortion - causes in which Hamilton was active - improvements in women's education and career prospects), marriage is still a problem, and women still seem to be blithely sleepwalking into it and what is this thing that this thing is?

And else-Web somebody was commenting about a radio programme (I think) on the suffragists and the suffragettes, and the audience was polled and apparently the vast majority claimed that they would have been out there with the militants -

To which one thinks, actually not, ducky. Moreover, while all the drama and glamour clings around the Pankhursts and the WSPU, the work that was being done by the less upfront organisations and individuals was just as important in the long run; not to mention, they got just as stigmatised for being Those Awful Unwomanly Women.

oursin: Lady Strachan and Lady Warwick kissing in the park (Regency lesbians)

She was bisexual, served a prison sentence and was so outraged by cuts to her opera The Wreckers that she stormed the orchestra pit. Finally, this summer, it will be heard as its extraordinary composer intended.

Smyth did indeed have one long-term and physically-consummated relationship with a man, Henry Brewster, an American writer, who - complex constellations of relationships being somewhat of a feature in Smyth's life - was the brother-in-law of her first great female love, Lisl Herzogenberg, the wife of Smyth's instructor in composition.

However, she had numerous passions for women, including both Mary Benson, wife of Edward Benson, Archbishop of Canterbury, and her daughter Nellie (who died young), Mary Lady Ponsonby, a friend of George Eliot and one of Queen Victoria's Ladies of the Bedchamber, Emmeline Pankhurst, and Virginia Woolf.

She also moved in continental circles of women who loved women such as the Paris set of the princesse de Polignac.

She was a militant suffragette and supporter of Pankhurst's Women's Social and Political Union, writing The March of the Women for it. She is possibly best remembered for the story of her conducting the singing of this by the suffragette prisoners in Holloway during the exercise period, conducting them from her cell window with a toothbrush.

oursin: Fotherington-Tomas from the Molesworth books saying Hello clouds hello aky (fotherington-tomas)

So, thinking about poems and poetry -

Okay, this is maybe not One of the Great Poems of All Time, and I'm not even sure it's one of my as it were poetic touchstones, but I am fond of it for an entirely adventitious reason, which is that I first heard it when my father used to quote the opening lines -

- slightly wrong, i.e. 'Beyond the East the mountains, beyond the West the sea/And East and West the wanderlust that will not let me be'.

But anyway, I eventually found the actual poem in an anthology somewhere - I'm not sure if it was actually in any of the various anthologies we had about the house:

Wander-thirst by Gerald Gould
BEYOND the East the sunrise, beyond the West the sea,
And East and West the wander-thirst that will not let me be;
It works in me like madness, dear, to bid me say good-bye;
For the seas call, and the stars call, and oh! the call of the sky!

I know not where the white road runs, nor what the blue hills are;
But a man can have the sun for a friend, and for his guide a star;
And there's no end of voyaging when once the voice is heard,
For the rivers call, and the roads call, and oh! the call of the bird!

Yonder the long horizon lies, and there by night and day
The old ships draw to home again, the young ships sail away;
And come I may, but go I must, and, if men ask you why,
You may put the blame on the stars and the sun and the white road and the sky.
Gould himself sounds like rather a good egg - hanging out with Lansbury and the Fabian set and Mrs Fawcett and the constitutional suffragists, and Victor Gollancz. I feel I should already know about him!

So I should - What that doesn't mention is that his wife was Barbars Ayrton Gould, the daughter of Hertha Ayrton!!!

It is perhaps ironic to be hymning wander-thirst when I've hardly been out for such ages and have no particular intentions of venturing forth in the very foreseeable future.

oursin: George Beresford photograph of the young Rebecca West in a large hat, overwritten 'Neither a doormat nor a prostitute' (Neither a doormat nor a prostitute)

Why had I not heard about this???!!! Statue of suffragist Elizabeth Wolstenholme Elmy. She was a somewhat marginalised figure in the late C19th movement on account of being a freethinker, involved with the Malthusians, and living in a free union with Ben Elmy, her partner, until prevailed upon to regularise their match when she fell pregnant (and even then that did not satisfy the More Respectable tendency).

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Two earlier women out there on the radical secularist fringes, and mixed up with one of those what I think of the Bad News Boys of Free Love, in this instance Richard Carlile - Wife no 1, Jane Carlile, who kept his paper The Republican going while he was in prison and was imprisoned herself. At some point they separated, and Carlile formed a free union or common-law marriage with Eliza Sharples, herself a writer and lecturer on freethought and allied subjects.

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Earlier yet, and currently being celebrated around her birthplace, Aphra Behn: they are raising money to erect a statue.

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And circling back to more modern days, I've certainly, back when, read some of Kay Dick's works. I might even have read, decades ago, They. Of interest.

oursin: Brush the Wandering Hedgehog by the fire (Default)

Lost in the Archives: Ayahs in Scotland:

British families travelling back and forth from India to Britain, often hired travelling ayahs or brought their family ayah on the long and occasionally treacherous sea voyage. Before the Suez Canal opened and the advent of steam powered liners, these journeys could take up to six months. The ayah on board had the sole responsibility of looking after children and their memsahib. Sadly on reaching Britain, some of these ayahs were discharged without pay. With no formal contract of employment, some with limited English, they were left destitute and homeless in a foreign country. Eventually, records show that the Ayahs Home in London was established, founded by Christian charities as a refuge for ayahs and amahs (Chinese nannies), until placements or return journeys were found. By the 1850s, an estimated 100-140 travelling ayahs visited Britain each year. By 1921, the Ayahs Home was recording up to 223 women per year, signifying the incidence of abandoned ayahs.

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History Workshop Journal: Black British Histories Virtual Issue.

Free online access to articles from 1987-2019 (the earlier ones are only accessible as pdfs)

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Another one of those historical phenomena which was not quite what we have been led to believe: There Never Was a Real Tulip Fever:

[M]erchants really did engage in a frantic tulip trade, and they paid incredibly high prices for some bulbs. And when a number of buyers announced they couldn’t pay the high price previously agreed upon, the market did fall apart and cause a small crisis—but only because it undermined social expectations.
....
All the outlandish stories of economic ruin, of an innocent sailor thrown in prison for eating a tulip bulb, of chimney sweeps wading into the market in hopes of striking it rich—those come from propaganda pamphlets published by Dutch Calvinists worried that the tulip-propelled consumerism boom would lead to societal decay. Their insistence that such great wealth was ungodly has even stayed with us to this day.
And we perceive that a leading player in the construction of the myth is Just One text,
Charles Mackay in his popular 1841 work Extraordinary Popular Delusions and the Madness of Crowds. According to this narrative, everyone from the wealthiest merchants to the poorest chimney sweeps jumped into the tulip fray, buying bulbs at high prices and selling them for even more. Companies formed just to deal with the tulip trade, which reached a fever pitch in late 1636. But by February 1637, the bottom fell out of the market. More and more people defaulted on their agreement to buy the tulips at the prices they’d promised, and the traders who had already made their payments were left in debt or bankrupted.
I.e. insufficiently critical of his sources and their evidential weight.

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An eventful life...

Elsie Edith Bowerman:

Elsie founded a branch of the WSPU in Girton, inviting such speakers as Lady Constance Lytton to address the undergraduates, despite lack of co-operation from the college authorities... Having graduated Elsie Bowerman returned to St Leonards, as a paid organizer for the WSPU. On 15 April 1912, while travelling as first-class passengers to America for a holiday, she and her mother survived the sinking of the Titanic. In September 1916 Elsie Bowerman sailed to Russia as an orderly with the Scottish women's hospital unit, at the request of the Hon. Evelina Haverfield, a fellow suffragette whom she had known for several years. With this unit she travelled via Archangel, Moscow, and Odessa to serve the Serbian and Russian armies in Romania. The women arrived as the allies were defeated, and were soon forced to join the retreat northwards to the Russian frontier. While awaiting her passage home, in March 1917, Elsie witnessed the ‘February revolution’ in St Petersburg. A diary that she kept, recording her experiences with the hospital unit, is held by the Women's Library, London.
....
She joined the Middle Temple in 1921, read for the bar, and was called—one of the first women barristers—in 1924. She practised on the south-eastern circuit from 1928 until 1946, was involved with the Sussex sessions from 1928 until 1934, and wrote The Law of Child Protection (1933). In 1938, with Lady Reading, she founded the Women's Voluntary Service, and from 1938 to 1940 edited its Monthly Bulletin. During the Second World War she worked for the Ministry of Information (1940–41) and was liaison officer with the North American Service of the BBC (1941–5). After the war she spent a year in charge of the status-of-women section of the United Nations in New York.
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And, just because, as it shows what remarkable and often unexpected things can be found in any given archive: Archive Treasures in Britten/Pears Arts. I'm particularly taken by the one that references the North Sea floods of 1953, as I once had to do a presentation to students one of whom was doing their dissertation on that subject - and lo and behold, actually managed to find something in our holdings on the subject! which I would not actually have guessed had I not been desperately trying to look something out.

oursin: Painting of Clio Muse of History by Artemisia Gentileschi (Clio)

Will the 'culture warriors' start woezering about the National Trust (you know, that evil 'woke' institution the National Trust) doing this? Bat on a non-slip roof: National Trust adapts manor for nocturnal residents: Oxburgh Hall in Norfolk gives tiles a special coating to stop bats slipping off as part of £6m roofing project:

The trust on Thursday revealed the lengths to which it has gone to keep the bat residents of a historic manor house in Norfolk happy during a £6m reroofing project – including specially adapted tiles which they can happily scoot up. A temporary bat hotel has also been set up and 32 new bat openings have been created. David White, the National Trust project manager, said it had been a joy – and not a headache – to adapt normal working practices for the bats of Oxburgh Hall. “They have not been a problem,” he said. “We’re very keen to support the bat population not just at Oxburgh but at all of the trust’s historic houses.”
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Meanwhile, at the Docklands Museum of London: The smells of damp wood, sea air, tobacco and maybe just a soupçon of human sweat will waft through a gallery for an exhibition telling the hidden stories of what was once the world’s busiest port:

Staged at the Museum of London Docklands, it will tell 200 years of stories that will range from seafaring phrases that have filtered into everyday English language use to the historical dependence of London’s docks on the sugar trade and slavery.
....
The scents section at the show will evoke the docks themselves – wood, sea air, sweat – as well as a tea warehouse and the home of a dock worker: “The smell of a coat drying by the fire, the smell of tobacco,” said Dobbin. “Younger people don’t remember when so much of London smelled of tobacco.”
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The museum has for a number of years addressed the history of the transatlantic slave trade. Last year it removed the statue of Robert Milligan, a prominent British slave trader, which had “stood uncomfortably” outside the museum for a long time. In the port of London show it will exhibit a document commemorating the unveiling of the statue to serve “as a reminder of the full truth behind the economic prosperity that made the building of West India Docks possible”.
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History lying underfoot: An undiscovered section of Hadrian’s Wall has been uncovered in a busy urban area after works on a water main were taking place:

During the routine works, a team from the water company revealed a section of the famous Hadrian’s Wall about three metres long located under the ground surface level, just east of the Two Ball Lonnen roundabout. It is believed that the newly-discovered section of the wall is from one of the earliest phases of the historical landmark, as it was constructed using such large blocks of stone, whereas later phases used much smaller pieces of stone.
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Philippa Hunter from Archaeological Research Services Ltd said: “Despite the route of Hadrian’s Wall being fairly well documented in this area of the city, it is always exciting when we encounter the wall’s remains and have the opportunity to learn more about this internationally significant site. “This is particularly true in this instance where we believe that we uncovered part of the wall’s earliest phase. It is always a pleasure working closely with Northumbrian Water who take the preservation of archaeological remains such as these very seriously.”
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This is an older piece of 2017, and I think I posted some links about May Morris and the exhibition then, but not this one, Feminist, socialist, embroiderer: the untold story of May Morris - which has, alas, The Old Old Story:

Why have these examples of fine craft been so overlooked? Partly it’s because they were made for domestic use, not museum display. Textile works are also inherently fragile, and often don’t survive changes of ownership and use. Despite her position within the Arts & Crafts movement, May Morris never received the same acclaim as her father, and she fell into even deeper disregard with the advent of modernism in art and design. Above all, however, it was the standard denigration of women’s work as essentially second- or third-rate that kept her works from critical and public attention. Despite the pioneering work of textile historian Linda Parry, recognition has been slow to return. This autumn’s exhibition, May Morris: Art & Life, and the thoughtfully researched new publication that accompanies the show, should further enhance Morris’s standing.
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Yes, women get overlooked and their histories neglected, but I was a bit irked by the framing of this one, which I think has that thing where someone is coming from a particular area of history (in this instance, history of aviation), and No V Littel about anything apart from that: Northern Irish museum celebrates car-dealing, trouser-wearing, jiu-jitsu fighting aviation pioneer. Which makes her out to be Not Like Other Gurlz -

She did not conform to Edwardian-era rules and would not let restriction on her femininity hold her back in any way. She never let anything hold her back.
Unlike all those other Edwardian mimsies ahem ahem ahem, daintily tripping along to meekly request the suffrage, etc....

oursin: Painting of Rydale by Barbara Bodichon (Bodichon)

'Why are there no women great artists?' - okay, we know, do we not, my dearios, that there are great women artists? - but there might be more. One of the reasons why there are not as many as there might be could be that they felt they had Other Priorities (not necessarily Being A Muse). I was already apprised of the not necessarily softer side of activists Barbara Bodichon and Sylvia Pankhurst, but I had no idea about Josephine Butler, though possibly one might categorise her as 'talented amateur water-colourist'.

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I gave a groan of familiarity on reading this:

For Women’s History Month, it has become traditional to rifle through the great names of the past, pluck out a few that strike the imagination and have the appropriate gender marker, and dust them off for a new audience.
The Trowelblazers project, however, suggests:
Stories of pioneering women in the “digging” sciences have been skewed toward those who were White, wealthy, and networked. The TrowelBlazers project aims to reset our imagination—and our future.
Right on sisters, excavate those lesser-known pioneers!

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Women as mothers of invention: Seven female patent pioneers you should know:

[A] quick caveat. Earlier patents may exist for some of the inventions given in this list but the following women are widely considered the inventor of their ‘thing’ because it worked (earlier versions didn't in some cases), or it was popular, or it is recognisable to the form as it exists today, and so on. It is also worth saying that there are many other female innovators and inventors we could have mentioned. Not all acquired patents, some weren’t given credit, many were trapped by the conditions of their time.
And in some cases doubtless husband/other male relative or associate took the credit...

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I found it a little Point Thahr Misst in this piece about Virginia Woolf and her relevance to today, that the writer has not encountered, or perhaps not taken on board, Woolf's pertinent critical observation on the subjects that are deemed Important rather than Trivial Subjects for fiction to deal with (men on a battlefield vs women in a drawing room).

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This Writer Is Tweeting Everything Sylvia Plath Ever Ate - apparently she was quite the foodie. Might we anticipate the Plath Cookery Book? (I'm sure there are other writers, quite apart from the obvious food writers like David, Fisher, Colwin, who resisted the narrative of birdlike appetite and disdain for the pleasures of the table - Lessing springs to mind.)

oursin: Brush the Wandering Hedgehog by the fire (Default)

National Portrait Gallery to feature more women in its collection: Curators will increase representation of female artists and sitters and seek overlooked stories: yay, I guess? Having been to various exhibitions there on particular groups of women (e.g the Bluestocking circle) and particular artists (Cindy Sherman) either being or making art. A bit miffed - okay, not everybody is entirely au fait with early C20th wymmynz herstry, but Ray Strachey wrote important histories of the suffrage movement: and was secretary to Nancy Astor when she was first woman MP to actually take her seat when she succeeded to her husband's, which (Bulletin of I think I heard this at a conference panel one time) Strachey took on as Her Duty to The Cause, now women were actually in the halls of government.

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It is also gratifying to see that For the First Time Ever, the Rijksmuseum Will Hang Works by Female Dutch Masters in Its Most Prestigious Gallery:

Finally acknowledging women’s considerable contributions to art history, the museum has hung a trio of paintings by Dutch women artists Judith Leyster (c. 1600–1660), Rachel Ruysch (1664–1750), and Gesina ter Borch (1633–1690) alongside their better-known male counterparts.
....
That visibility has long been denied female artists, who were all-too-often dismissed as amateurs, their accomplishments forgotten after their deaths, and their works frequently misattributed to their husbands, fathers, or male teachers.
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Also women and art-related: Edmonia Lewis, the first professional African-American sculptor: 'Her father was a free African-American and her mother a Chippewa Indian. Orphaned before she was five, Lewis lived with her mother’s nomadic tribe until she was twelve years old'. Later hung out with the arty boho (and at least partly sapphic) ladies' set in Rome.

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Was astronomer Caroline Herschel’s success down to extreme politeness? I think the term you mean is 'the deferential behaviour considered appropriate to her gender and status' (compare/contrast the situation of Ada, Countess of Lovelace). I also have a feeling (from other things I've read about Herschel) that what those diaries might have contained was a record she perhaps didn't want kept of familial tensions - the Herschels back home in Hanover had wanted her to stay there as a domestic drudge, and while William had liberated her from that, it was in service to his ambitions in music and astronomy, and his marriage was particularly difficult for her.

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Amy Levy: A London Poet:

Innovations in public transport offered women greater mobility and independence within the limits of respectability. Levy herself was one of the first to reject the convention that women should travel inside an omnibus, pointing out to her shocked family that she had been accompanied on her initial journey on the top deck by the granddaughter of the Archbishop of Canterbury.
....
Oscar Wilde.... had noticed a promising volume of poetry, Xantippe, and Other Verse (1881), published while she was a student: ‘The modest little paper-covered book, which contains only thirty pages, was published in Cambridge, and was, we believe, never advertised. Its merit, however, attracted a good deal of attention, and the whole edition was sold out.’2 This volume contains a dramatic monologue, ‘Xantippe’, in which Levy voices the despair and fierce grief of Socrates’ wife, a woman known to history only as a scold. Her Xantippe has entered into marriage with a man she saw as a mentor, and is bitterly disappointed to realise that Socrates wanted a submissive wife and not an equal. When Plato, Socrates and Alcibiades contemptuously dismiss her attempt to contribute to their philosophical conversation, she disfigures the white marble of the idealised Hellenic scene in a maenadic frenzy.... In ancient Athens, Xantippe’s lonely rage turns to icy despair and withdrawal. Levy, in 1880s London, could turn to sympathetic peers. She encountered writers and journalists like Eleanor Marx, Clementina Black and Olive Schreiner at the British Museum, a publicly visible space associated with professional labour,
***

An act of resistance that went (perhaps) further than intended: “I wish the old devil was dead”: murder and master-servant relations in the East Midlands.

***

A different servant story: a long life of companionship that seemed to end up producing social advancement: From Downstairs to Upstairs: The story of Ellen Lester.

***

I was distressed to read this: It has been home to literary legends, psychoanalysts and activists, but now residents at the Mary Feilding Guild home in north London have been told they have to leave at the end of May after it changed ownership. I thought I'd posted about this place before, but can't find it.

oursin: Brush the Wandering Hedgehog by the fire (Default)

Augusta Fells Savage, a talented sculptor who had faced obstacles due to her sex and race at every turn:

[L]ittle of Savage's work survives today. Because she couldn't afford bronze, she often had to make her sculptures out of plaster; most of these have crumbled over time. Other works, like The Harp, were destroyed because they could not be moved or stored, while some of her work has simply disappeared. In 1988, the Schomburg Center in Harlem held a retrospective of her work, but could only locate 19 pieces. Throughout her career, Savage fought to help African American artists publicize their work. "She was keen on creating an infrastructure for black artists," says Wendy NE Ikemoto, curator at the New York Historical Society. "She put a lot of thought and energy into creating these intellectual spaces and networks for the work of black artists." In addition to the students she fostered during the Harlem Renaissance, Savage devoted much of her later life to teaching children and summer art camps, mostly in Saugerties, New York.
***

And perhaps a similar story about evanescence and the role of marginality and material culture: a woman author who wrote in a marginal genre in cheap magazines: 'the Reclusive Woman Who Became a Pioneer of Science Fiction'.

***

But these often fragile suffrage publications have been preserved and are now digitised: Women's Rights Collection at LSE.

***

Luke Hodgkin, 1938-2020: Son of Nobel laureate and radical historian who forged his own path as a mathematician and activist remembered - okay, I am entirely there that Mum, Dorothy Hodgkin, got mentioned first, but hello, he was a scion of a long dynasty of Quaker scientists and reformers (though not a direct descendant of Thomas Hodgkin of the disease and the Aborigines Protection Society) including the pioneer metereologist Luke Howard:

He also had plans for a book called Mathematics, Money, Drugs and War designed to “demonstrate how mathematics, with its claim to exact results, has become a central instrument of control” used, for example, not only to design drones for military purposes but to “prove that their workings are effective – and in particular to deny the existence of civilian casualties”.
***

And thinking about the Quaker connection and anti-slavery and ethical consumerism etc, this sounds like a fascinating book: Not Made By Slaves: Ethical Capitalism in the Age of Abolition - short interview with the author.

***

The wife of a celebrated naval captain had been accused of seducing her formerly enslaved nineteen-year-old Black footman:

Though John initially testified against his mistress, Ann Inglefield, he later recanted this testimony. He had been terrified of his ‘master’, he now claimed, and had lied in court because Captain Inglefield had pressured him.
A very nuanced discussion of the dynamics and preconceptions in play in this case.

***

This strikes me as a quite amazingly obtuse failure to read the room: Johnson trying to set up charity that could fund Downing Street flat revamp: No 10 does not deny reports that scheme could cover costs of works by PM’s fiancee, Carrie Symonds.

oursin: The Delphic Sibyl from the Sistine Chapel (Delphic sibyl)

I was actually rather irked by this piece on British lesbian fascists, because a) I think there's a huge lacuna there, which is not talking about the (probably relevant) class origins or aspiration of the women along that trajectory b) 'many suffragettes became fascists'? (plz to be giving cites) c) I can think of several well-known lesbians sympathetic to fascism who were certainly not sympathetic to feminism (don't think Radclyffe and Una were particularly of the sisterhood, and nor was 'Victor Barker'). It's All, may I suggest, More Complicated. (And wot abaht the communist lesbians driving ambulances in Spain, eh, wot?)

I suspect in any movement there are going to be those who like to lay down laws and police other people and go and see what they are doing and tell them to stop, and this is probably particularly acute if they were born and brought up among those who felt it was their right to rule.

Just as there are people who think that the world is made to accommodate their pleasures, and it is only sad miserable prudes who could possibly object. I see that an English translation of Vanessa Springora's Le Consentement, a memoir of having been sexually abused by French literary figure Gabriel Matzneff between the ages of 14 and 16, when he was more than three times her age, has just been published. The mindset excusing him for far too long is reflected in the revelations coming out as France confronts decades of neglect of incest cases.

I feel this somehow fits in as well, as about who is allowed to be fun and playful: The Problem With the Postcolonial Syllabus: Against a peculiarly Western allergy to the pleasure of the text:

[O]nly the delight of being a morally conscious reader is considered nutritious. Kiran Manral, an Indian writer of several novels in a genre that the snootiness of academia and publishing calls “commercial fiction,” once asked this question in a Facebook post: “Why am I unable to enjoy or finish any of these books that are on long lists and short lists of literary prizes?” Manral is an honest reader. Her expectation from literature as an adult is consistent with the one she had as a child: It is to experience the independence of her emotions, including the ability to feel pleasure without being judged or grudged.

The same question should be asked of the postcolonial syllabus. While the moralizing mission might appear admirable, these courses ignore all literature that does not fit its agenda. What else explains the utter absence of comic novels in the postcolonial course? How else to explain why Bibhutibhushan Bandyopadhyay’s novels, particularly Aranyak, are not taught? Or why Amit Chaudhuri’s novels, with their life-loving energy, do not find a place here? Or why stories and novellas about provincial life, such as we find in the magical writing of R.K. Narayan, have not yet been included? Literature about the moment, about the everyday, is rejected: Comedy, laughter, pleasure — the postcolonial subject must not be seen partaking of these contraband things.

oursin: Photograph of small impressionistic metal figurine seated reading a book (Reader)

What I read

Finished Revolutionary Imaginings in the 1790s, which was very good, given that not my period and somewhat outwith my usual academic disciplinary interests. The pdf format a bit irksome. Anyway, the notes alerted me to a biography of Charlotte Smith published by Palgrave which I was able to snap up before the end of their cybersale, as if I don't have a virtual tbr stack already...

Took a brief break part way through to re-read John D MacDonald, Darker than Amber (1966) - one of Travis McGee's bleaker outings, I thought.

Also off the non-fiction virtual tbr list, Wendy Moore, Endell Street: The Trailblazing Women Who Ran World War One's Most Remarkable Military Hospital (2020) - and at first I wasn't sure if I was going to stick with this, because unprecedented medical horrors and organisational incompetence in dealing with same (chapter one, pretty much) was not entirely what I felt in the mood for, but I did stick with it, and okay, the ending is pretty much a downer because: a) after running a really successful military hospital the flu epidemic came upon them with devastating effect and b) that whole thing of women having done amazing things that were acknowledged at the time and then completely forgotten about appallingly fast. But it is very good - immense kudos for the amount of material she found, personal accounts and so on (even if she does acknowledge the work of a preceding scholar in the field) and pulling it all together.

On the go

The references in Endell Street to their pioneering use of BIPP for wound infection reminded me that this was name-checked in AS Byatt's The Children's Book (2009), which I have been meaning to re-read. So that's in progress.

Still keeping up with Catherine Fox's Tales from Lindford.

Up Next

There's a new Jane Smiley forthcoming but not until the end of next week, I think. So dunno.

oursin: Painting of Clio Muse of History by Artemisia Gentileschi (Clio)

Because when I hear somebody is putting out a book about neglected awesome heroines, my reaction is usually a deep groan and a murmur of 'Rosalind Franklin - Lise Meitner - Ada Lovelace - Mary Anning - ' all those usual suspects whom I have heard only too often described as heroines hidden from history. 'Hidden' in some unusual meaning of that word, I think.

(And talking of deep groans, I observed over the weekend that somebody has produced Yet Another Bio of Sylvia Pankhurst. I already have a group bio of the family which I suspect is extensively based on her history of the suffrage movement plus 2 individual biographies of her. I am not sure there is really anything much more to write...?)

But anyway, Sandi Toksvig has been able to find women who managed to achieve a great deal without so much as fainting, in spite of the strictures of such anti-heroes of anti-suffragism* as Sir Almroth Wright (whose wife, we may add, left him, though whether before or after becoming a suffragist I'm not sure), and they sound fresh and new, at least the ones cited.

Okay, I have heard passing mention of Dame Juliana Berners and Madame Ching, but otherwise, this is not same old same old, yawn.

*This reminds me, discovered on Project Gutenberg this morning, Poetry of the Anti-jacobin Comprising the Celebrated Political and Satirical Poems, of the Rt. Hons. G. Canning, John Hookham Frere, W. Pitt, the Marquis Wellesley, G. Ellis, W. Gifford, the Earl of Carlisle, and Others. O how we chortled...? Famed they may be but not, on the whole, in the realms of political and satirical poetry (possibly Canning, but even then, Of Historical Interest, I suspect, I do not think that we are talking anything that can stand against The Masque of Anarchy).

oursin: Brush the Wandering Hedgehog by the fire (Default)

And continuing my theme of recent years which has been, wars more generally, and this is one of the longer ones -

- which really perhaps I should have noted last year, since there was, at least in my country, a significant battle finally won 100 years previous, except that it was also the bicentenary of Peterloo -

- I was wondering about March of the Women, but while a stirring song set to Ethel Smythe's music, I am not sure the words (by Cicely Hamilton) hold up entirely on their own -

- I give you instead the following, by my gay male suffragist and sex reformer boyfriend, Laurence Housman, Woman This and Woman That.

We observe that it riffs off Kipling's Tommy, which, if not precisely an anti-war poem, is vigorous about the way people turn away from their 'heroes' once the crisis is over... and yes, I was trying to think of poems about the War on Disease, and not coming up with much. Since for reasons I was lately looking up JBS Haldane I was reminded that he wrote a jaunty if somewhat creepy little piece of doggerel, Cancer's A Funny Thing. Maybe the War on Disease is more the province of prose fiction.

We went up to Saint Stephen's with petitions year by year;
'Get out!' the politicians cried, 'We want no women here!'
M.P.s behind the railings stood and laughed to see the fun,
And bold policemen knocked us down, because we would not run.

For it's 'woman this', and 'woman that', and 'Woman, go away!'
But it's 'Share and share alike, ma'am!' when the taxes are to pay;
When the taxes are to pay, my friends, the taxes are to pay,
O it's 'Please to pay up promptly!' when the taxes are to pay.

We went before a magistrate, who would not hear us speak,
To a drunken brute who beat his wife he only gave a week,
But we were sent to Holloway a calendar month or more
Because we dared, against his will, to knock at Asquith's door.

For it's 'woman this', and 'woman that', and 'Woman, wait outside!'
But it's 'Listen to the ladies!' when it suits your party's side;
When it suits your party's side, my friends, with M.P.s on the stump
And shaking in their shoes at how the cat is going to jump!

When women go to work for them the government engage
To give them lots of contract jobs at a low starvation wage,
But when it's men that they employ they always add a note -
'Fair wages must be paid' -- because the men have got the vote.

For it's 'woman this', and 'woman that', and 'Woman, learn your place!'
But it's 'Help us, of your charity!' when trouble looms apace;
When trouble comes apace, my friends, when trouble comes apace,
Then it's 'O, for woman's charity!' to help and save the race!

You dress yourselves in uniforms to guard your native shores,
But those who make the uniforms do work as good as yours;
For the soldier bears the rifle, but the woman bears the race -
And that you' d find no trifle if you had to take her place!

O it's 'woman this', and 'woman that', and 'Woman cannot fight!'
But it's' Ministering Angel!' when the wounded come in sight;
When the wounded come in sight, my friends, the wounded come in sight,
It's a 'ministering angel' then who nurses day and night!

We are only human beings who have wants much like your own,
And if sometimes our conduct isn't all your fancy paints
It wasn't man's example could have turned us into saints!

For it's 'woman here', and 'woman there', and 'Woman on the streets!'
And it's how they look at women with most men that one meets,
With most men that one meets, my friends, with most men that one meets -
It's the way they look at women that keeps women on the streets!

You talk of sanitation, and temperance, and schools,
And you send your male inspectors to impose your man-made rules;
'The woman's sphere's the home,' you say, then prove it to our face:
'Give us the vote that we may make the home a happier place!'

For it's 'woman this', and 'woman that', and Woman, say your say!'
But it's 'What's the woman up to?' when she tries to show the way;
When she tries to show the way, my friends, when she tries to show the way -
And the woman means to show it -- that is why she's out today!
oursin: George Beresford photograph of the young Rebecca West in a large hat, overwritten 'Neither a doormat nor a prostitute' (Neither a doormat nor a prostitute)

Women are taught from childhood not to offend. It's still holding us back:

And yeah, something of this:

Women’s endless desire to please is part of what makes the world go round. It drives us to run around after our children, partners, friends and our own parents; it’s what makes us volunteer for good causes, perhaps what makes us even more likely to obey Covid restrictions, since that is at root about being seen to care for other people. But the fear of getting it wrong does rather less good, perhaps, for women individually.
But I'm also recalling that thing about whether it's a good thing to advise women to be less meek and deferential etc and more assertive/aggressive/blokelike in the workplace, and whether, in fact, blokes need to dial that gorilla stuff down.

And I was also thinking how very low the bar is set at which women start to offend, like by not smiling, or even by existing in public without being objects of eye-candy, and that women can be seen as offensive without even setting out particularly consciously to be so, just by being themselves. And that this can have serious penalties. I think I may have pointed out once or twice that being a non-militant suffragist didn't actually exempt campaigners for the vote from being the objects of verbal and physical violence.

So I don't think - yet again - that the burden should be once more to be on the laydeez to man up and kick ass and take no prisoners as if this is all on their timidity of nature that they should just get over.

oursin: Photograph of small impressionistic metal figurine seated reading a book (Reader)

What I read

Finished The Raven Tower - very, very good, and I did not see where all that was going.

Also finally got to the end of Memories of the Future and registering a muted meh - much too spun-out for what it was, I thought. Maybe there were a lot of jokes that were funny back in the day? - there is actually a brief riff on changing senses of the humorous.

2 BJ Oliphants (yes, Sheri Tepper under a pseudonym), which I read in the wrong order - The Unexpected Corpse #2 (1990) and Dead in the Scrub #1 (1990). I thought #1 was a bit better than #2 but that may be because they would be more advisedly read in the right order. I am not sure I want to read through these in a wild gulp - I think Shirley McClintock, refreshing though it is to have an opinionated competent middleaged woman sleuth, might get just a leetle annoying in larger doses...

Desmond Cory, The Strange Attractor (1992). I don't think I've ever come across anyone else who's read any Desmond Cory. Sometimes I feel he is having a quiet laugh up his sleeve at genre conventions and riffing with them, and not taking the whole thing terribly seriously. Unfortunately this one, while it pulls off an interesting twist (of a kind which I'm not sure you could do any more?) goes into v dodgy stereotype territory at the end. Also, while points for going against some standard gender tropes, possibly it goes into the hapless male/competent female one with the central budding romantic relationship?

I noticed last week that Anthony Price had died. So I found the first of the Audley novels, The Labyrinth Makers (1970) conveniently close to the top of a pile, and read that. David Audley is one of your more cerebral intelligence types, not a man of action, an academic. I am not quite sure what to make of the various mentions of the small size of the mammary development of the love interest (she survives and it looks like the relationship will progress) - maybe this is srs book, perish the thort that the laydeez involved should have vulgarly large gazongas? - she also wears glasses and teaches physics. It was 1970, after all? I really wanted to read the series, if at all, in order, but this will require a certain amount of delving.

On the go

Just started, Patricia Fara, A Lab of One's Own: Science and Suffrage in the First World War (2018) - very readable, though so far it's not really telling me much I didn't already know, background stuff on women's position, education, the suffrage movement etc - I'm there for (I hope) more on specific women scientists. I'd dissent a little from her passage on Stopes, and there is a blooper where she confuses Hedda Gabler with Nora of the Doll's House (oops).

Up next

No idea.

oursin: Painting of Clio Muse of History by Artemisia Gentileschi (Clio)

I was cringing/sardonically amused when something or other crossed my horizon the other day with historians being asked to sum up this year now expiring, because, being one myself, I am deeply, deeply cynical about judgements made in the moment and what seems important and what will, in the light of posterity, actually have been important (see also, those lists of bestsellers of each year of C20th/famous books published in those self-same years, v little overlap).

And thinking that on 31 December 1914, people might have been saying, 'well, okay, it wasn't all over by Christmas, but it will surely be all well over by next Christmas...'

And all those things that at the time looked like 'unhistoric acts' by people who it was supposed would rest in 'unvisited tombs'.

What doing the odd entry over the years for the Oxford Dictionary of National Biography has shown me is that sometimes those acts turn out to be historic and those tombs get visited: and one ends up doing a certain amount of scrabbling around trying to find out more about the person's life.

I suppose if you do not hang out in women's history/suffrage history circles, and never watched Shoulder to Shoulder, perhaps certain things about Sylvia Pankhurst do come as startling revelations: see this piece on Sylvia Pankhurst. She got her account of the suffrage struggle out there before her mother and Christabel got theirs, and it's also much more readable (as well as working off family resentments). It was influential on, if not the entire basis, for Shoulder to Shoulder. As for there being no biographies in 1969, as I recall - I'm not sure I still have my copy - David Mitchell's The Fighting Pankhursts came out in 1967, and while problematic, did deal with their post-suffrage lives, including Sylvia's free union with an Italian anarchist, involvement with Ethiopia, etc. (I can do v few degrees of separation: have met her son.)

Currently in my research-related tbr pile is her Delphos; the Future of International Language (it emerged when a pile toppled over the other day).

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