oursin: Brush the Wandering Hedgehog by the fire (Default)

This is rather news to me - I think of people protesting the enclosure of commons as doing this a) a lot earlier and in more rural parts: Today in London’s parklife: 1000s destroy enclosure fences, Hackney Downs, 1875:

The 1870s were a high point of anti-enclosure struggles in the London area, following on from a decade of (mostly, though not exclusively) peaceful campaigns to prevent large open spaces being developed in the 1860s. Wanstead Flats in 1871, Chiselhurst Common in 1876, Eelbrook Common (Fulham) in 1878, all saw direct action against fences, as part of long-running resistance against the theft of common land.
....
Many of these struggles were characterised by the large-scale involvement of radical movements, as London radicals, secularists and elements who would later help to form socialist groups made open space and working class access to it a major part of their political focus. Radical land agitation, notably through the Land and Labour League, was beginning to revive the question of access to land as a social question, and within cities this manifested as both battles to defend green space, and propaganda around the theft of the land from the labouring classes.

The struggle is not over:
Centuries of hard fought battles saved many beloved places from disappearing, and laws currently protect parks, greens and commons. But times change… Pressures change. Space in London is profitable like never before. For housing mainly, but also there are sharks ever-present looking to exploit space for ‘leisure’. And with the current onslaught on public spending in the name of balancing the books (ie cutting as much as possible in the interests of the wealthy), public money spent on public space is severely threatened.
Many are the pressures on open green spaces – the costs of upkeep, cleaning, maintenance,
improvement, looking after facilities… Local councils, who mainly look after open space, are struggling. Some local authorities are proposing to make cuts of 50 or 60 % to budgets for parks. As a result, there are the beginnings of changes, developments that look few and far between now, but could be the thin end of the wedge.
So you have councils looking to renting green space to businesses, charities, selling off bits, shutting off parks or parts of them for festivals and corporate events six times a year… Large parts of Hyde Park and Finsbury Park are regularly fenced off for paying festivals already; this could increase. Small developments now, but maybe signs of things to come. Now is the time to be on guard, if we want to preserve our free access to the green places that matter to us.

***

HEIR, the Historic Environment Image Resource:

HEIR’s mission is to rescue neglected and endangered photographic archives, unlock their research potential, and make them available to the public.
HEIR contains digitised historic photographic images from all over the world dating from the late nineteenth century onwards. HEIR’s core images come from lantern slide and glass plate negatives held in college, library, museum and departmental collections within the University of Oxford. New resources are being added all the time, including collections from outside the University.

***

Dragon’s teeth and elf garden among 2025 additions to English heritage list:

The heritage body publishes a roundup of unusual listings to draw attention to the diversity of places that join the national heritage list for England each year.
As well as the anti-tank defences, this year’s list of 19 places includes a revolutionary 1960s concrete university block, a model boat club boathouse built in 1933 by men who were long-term unemployed, and a magical suburban “elf garden”.

***

Art history is too important to be the preserve of the privileged:

The act of looking has become commodified as technology companies ‘mine and sell our attention like coal’, as Kee writes. Letting art history become endangered and drift further into elite status is not only unfair, it’s also perilous. ‘Art history gives you tools to interpret the visual world and makes you more of a critical viewer of political messages, advertising and a barrage of social media images,’ says Perry. ‘It’s dangerous if you can’t examine these things critically.’

oursin: Brush the Wandering Hedgehog by the fire (Default)

Okay, whomst amongst us does not become 13 sniggering at the back of the class at this: Campaign to save the Otley Tittybottle oak - oo-er missus! it cries out to be the basis for a Carry On movie, no?

At 7am on Monday 2 December 2024, over 25 local people gathered beneath a 180-year-old, mature English oak, and adjacent tulip tree, on the south bank of the river in Otley, West Yorkshire, to physically prevent contractors from felling them. They succeeded.

***

I do not think there was any mention of This Kind of Thing when I last visited Walmer Castle, official residence of the Lord Warden of the Cinque Ports: Lord Beauchamp, Walmer Castle and Homosexuality in 20th-Century England:

Beauchamp’s family life appeared conventional. However, during the 1920s he is known to have thrown some rather racy parties at Walmer, to which he invited his high-class friends, along with local fishermen and youths. A hint of their nature is given in the memoirs of Lady Christabel Aberconway, who wrote that:
One Sunday, my host, Lord Jowitt, asked my husband if he and I would like to see one of the famous castles of the Cinque Ports. Delightedly we accepted. … We arrived [at Walmer] and were shown into a garden surrounding a grass tennis court. There was the actor Ernest Thesiger, a friend of mine, nude to the waist and covered with pearls

In 1930 Beauchamp became embroiled in a scandal that would prove disastrous to his career and personal life. He had embarked on a round-the-world tour in August that year, spending two months in Sydney, Australia. He was accompanied by a young valet, who lived with him as his lover. This did not go unnoticed, and Beauchamp’s tastes were reported in the Australian Star newspaper[.]
.
***

I am bit put off this by the 'sponsored by [EVIL EMPIRE] Elsevier' sidebar, but nonetheless of interest: Sharing shipwreck stories to rewrite maritime history: though is it so that 'British 17th-century history is far less well understood today than most other periods from our island’s story'?

***

Maybe they're onto something, though: because here are the Campop people, delving into the history of the development of industrialisation in Britain, and pushing it back to that very century: When did England and Wales industrialise?:

Over one hundred years of scholarship has assumed that the key period for the structural shift of the labour force from agriculture to the secondary sector was during the Industrial Revolution (between 1750 and 1850). The new data reveal that this shift was in fact already over by 1700. Remarkably, the share of the labour force in the secondary sector was virtually flat from around 1700 all the way through to 1900 and beyond. The key period for industrialisation was therefore probably from 1550 to 1700.

***

Apparently the Schleswig-Holstein question lingers on? I was a little surprised to read in this report, Danish king changes coat of arms amid row with Trump over Greenland, that in invoking the unity of the kingdom:

Last week, in his first new year speech, the king said: “We are all united and each of us committed for the kingdom of Denmark. From the Danish minority in South Schleswig – which is even situated outside the kingdom – and all the way to Greenland. We belong together.”

Divided from North Schleswig as a result of the Treaty of Versailles, hmmmm.

oursin: Brush the Wandering Hedgehog by the fire (Default)

I suppose it is not exactly good ton, when obits all over the place deem one lady 'Queen of the Bonkbusters' (Dame Shirley Conran, died this week aged 91) to growl and pipe up 'I'm the grandest tiger in the jungle' Queen of the Bonkbusters, as presumably Jilly Cooper has some right to do, at least since the demise of Jackie Collins?

(Given that there has been a flurry on social media over some hip-hop battle of 'beef', and extensive references to historical parallels over a range of fields, one rather wishes there could have been a diss-down between these rival queens of Bonk, no?)

***

I should probably take this more seriously, from several angles, but it doesdn't half strike me as in the tradition of Ealing comedies: Just Stop Oil protesters use hammer to smash Magna Carta display case: Judy Bruce, 85, and Reverend Dr Sue Parfitt, 82, tried to smash the glass surrounding the Magna Carta at the British Library (they did not actually smash the case).

***

Missed the Northern Lights last night (not sure if one would be able to see them here anyway - while they were reported this far south, there's a fair amount of light pollution around here). I am perhaps less troubled by this after seeing all the Day of the Triffids jokes all over social media and warnings to look out for unusual vegetation in gardens this morning.

***

I think I may already have mentioned toad crossings, enabling these amphibians to make their way to their traditional mating grounds without being run over: we now have adder tunnels to enable two separated populations of this endangered venomous reptile to mingle and increase genetic diversity:

The snake has has not been seen in Buckinghamshire since 2014 and is now virtually extinct in Oxfordshire. Greenham Common, which became a nature reserve 24 years ago after the closure of the RAF nuclear weapons base, is one of its last strongholds in the region. The tunnels opened for snakes this spring after radio-tagging studies showed two adder populations on the commons were not mixing because of the road. The populations need to meet each other to breed and boost their genetic diversity.

oursin: Brush the wandering hedgehog dancing in his new coat (Brush the wandering hedgehog dancing)

Recently deceased, Barrett Strong, known for his work for Motown. Most famed for this - his writing contribution overlooked and contested - I prefer this stonking version by Smokey and the Miracles:

This is much less well known, but I like it:

He moved mostly to writing for other artists:

Notably, for the Temptations:

and

which was part of the Vietnam War-era politically-infused songs, like this for Edwin Starr:

But also:

And for Marvin Gaye (among other things):

oursin: Photograph of Queen Victoria, overwritten with Not Amused (queen victoria is not amused)

The waterways of the UK are awash with sewage and I daresay there are faint earthquakey rumblings in the vicinity of Wimbledon, where Sir Joseph Bazalgette is buried.

And today was spotted in the wild somebody hymning the praises of wood-burning stoves in the Telegraph.

Hai, let's go back to the Great Smog and the London Pertickler!

Quite apart from the environmental impact of burning wood - cough choke - there's the environmental impact of where the wood to burn comes from....

I suppose at least it's not a fossil fuel?

Goodness knows what was going on in the minds of the protestors throwing soup at Sunflowers (behind glass, fortunately). At least when Mary Richardson slashed the Rokeby Venus there was an obvious symbolism to the protest. We feel that Vincent would have been on their side?

Somebody did mention somewhere that funding art exhibitions is a favoured form of culture-washing by oil companies. But this was hardly explicit?

Apparently there were also cavils about Wasting Food?

To which I saw one response that selling the painting would feed I forget how many millions -

Except there is that thing of selling treasures that are in some form of public ownership to raise money, and the likelihood that they will end up in some private vault? (e.g. library some years ago that had a spare First Folio and a financial crisis.)

oursin: Illustration from the Kipling story: mongoose on desk with inkwell and papers (mongoose)

'I prefer to see historians as the guardians of the skeletons in the cupboard of the social memory...' (citing Peter Burke, 'History as Social Memory', 1989): Matthew Gabriele riffs off this to suggest that:

[W]hat Burke was trying to get at was that studying the past - and then, importantly, talking about it with an audience - is about revealing the mess behind the myth, the story behind what we think we know. A #twitterstorians Twitter thread, an opinion piece in a magazine, an appearance on TV, all in their own way asks questions in order to break down that myth into is base parts, to see how it works and why it was put together in the way it originally was. And that can be uncomfortable.
I am made quite unconscionably happy by the concept of 'the mess behind the myth'.

This - it's quite long and rather dense - seemed to me to have some resonance with this, as I went 'ah' and 'oh', when it mentioned 'tidying of social movement histories', which is certainly not unique to 1970s lesbian feminism: Rox Samer: 'Introduction' to Lesbian potentiality and feminist media in the 1970s: Living in the Lesbian’s Former Future. A Media Historiography of Imagination for When the Present Is Past.

Also, I loved the paean to archives, well I would, wouldn't I?

this more theoretical queer conception of the archive could only be strengthened by periodical tethering to material collections and institutions. In the mid-1990s and early 2000s, dozens of feminist collections from the 1970s were taken in by institutions such those listed earlier. This archival turn in feminism, as Eichhorn names it, has moved scholars beyond clichéd generational debates. Earlier generations’ feminisms have not been hurled into a scrap heap, as straight cisgender feminists such as Susan Faludi would have us believe, but have been preserved at no small cost in dollars or labor. Far from serving as the dutiful daughters straight cis feminists envision, researchers of younger generations, such as Eichhorn, Corbman, and I, have become active agents in such archives. How we thumb through a collection’s files and receive what we find can, in fact, be quite divergent and queer. In short, the millennial archival turn has finally facilitated the meeting of feminism’s concern with its own history and the queer desire for history.

oursin: A cloud of words from my LJ (word cloud)

It seems, let us say, a little quaint and anachronistic to rule that an MP may not accuse another MP directly of lying: Dawn Butler ejected from Commons for saying Johnson has lied repeatedly. Labour MP accused the prime minister of misleading the Commons and the country over coronavirus.

This dates from the epoch, surely, when 'honourable member' was not just a form of words? (though thinking back over one's recollection of O-level political history, perhaps not...) But a period, anyway, when 'honour' meant something and could be impugned.

As for 'It's In The Roolz!!!', an argument I have seen some people making: Come On Down, Charles Bradlaugh, militant atheist, who upon election to Parliament refused to take the requisite religious Oath of Allegiance and wished to affirm instead (concessions having already been made for Quakers and Jews). His principled and contentious stand on this led to him being prevented from taking his seat as MP for Northampton from 1880 to 1886 and even being imprisoned. Eventually a law was passed granting the right to affirm.

As for unParliamentary behaviour, even if we leave out Cromwell marching into the Chamber and forcibly dissolving the Rump Parliment in 1653: 'Take away that shining bauble there, and lock up the doors. In the name of God, go!':

In 1902 the Speaker was given power to suspend or adjourn proceedings in the case of 'grave disorder' (I discovered this by going to myself, 'wasn't there some incident with Hesletine and the mace?'): Incidents of Grave Disorder in the House of Commons, 1905-2017

While some of these pertained to external events and intrusions (19 May 2004 'Tony Blair was hit by some purple flour-filled condoms thrown from the gallery by a member of the group Fathers 4 Justice'), they included, 4 Mar 1975 'Angry confrontation continued and Nigel Lawson was seen to hit junior Minister Clinton Davis with his House of Commons Order Paper' and 27 May 1976 'Opposition Industry Secretary Michael Heseltine removed the House of Commons mace from its place on the table and advanced towards the Government front bench'.

This very interesting article by Collier and Raney, Understanding Sexism and Sexual Harassment in Politics: A Comparison of Westminster Parliaments in Australia, the United Kingdom, and Canada indicates the vast array of discriminatory and sexist behaviour that is just part of the way Parliament does business at Westminster and in the Westminster boys-school/mens'-club tradition:

Adversarial norms and parliamentary privilege are both on display during the formal proceedings of the House, and especially during Prime Minister’s Questions (PMQs). PMQs often feature masculine styles of communication, including shouting, braying, put-downs, jibes, heckles, and taunts on both sides of the House. In addition, more overt sexist statements have also been made during PMQs. In 2011, David Cameron told the Labour shadow chief secretary Angela Eagle to “calm down, dear”, which was followed by laughter and further heckling from the government benches. In 2013, Secretary of State William Hague could be seen calling MP Cathy Jamieson a “stupid woman” twice during PMQs (Stevenson 2013). The need for parliamentarians to score political points against their rivals, combined with an informal acceptance of sexist language and behavior in the House, disproportionately disadvantages women. For Lovenduski, these highly ritualized displays of “public masculinity” send “a strong symbolic message to women that politicians are men who have repertoires of behavior that are not available to women (and some men)” (Lovenduski 2014b, 135). Some female MPs have recently stated that they find PMQs so adversarial and off-putting that they no longer attend (Mason and Edgington 2014). We see the three unwritten norms of myth of neutrality, adversarial politics, and parliamentary privilege working together to reinforce an accepted culture of behavior.

oursin: (lolyeats)
Let it go
It is this deep blankness is the real thing strange.
The more things happen to you the more you can’t
Tell or remember even what they were.

The contradictions cover such a range.
The talk would talk and go so far aslant.
You don’t want madhouse and the whole thing there.

Empson reading it here.

***

And in rather different mood, 70s psychedelia: The Temptations, Ball of Confusion

oursin: Brush the Wandering Hedgehog by the fire (Default)

Spotted a newspaper placard saying something like 'Johnson threatened by imposters'.

And where my mind went to was a zap action* involving people in Boris masks and wigs showing up and taunting him in public places, which I think would be rather cool.

But apparently it is Boris fulminating that a 'sinister band of imposters' was using his name to post social media attacks on T May, P Hammond, etc.

*Though I'm not at all sure that that article is entirely correct, because it seems to be claiming that they were a means of LGBT protest in the early 70s, and there were various feminist zaps in the late 60s by e.g. the Redstockings and WITCH (Women's International Terrorist Conspiracy from Hell), like hexing Wall Street, and indeed I have a recollection that they were practised by other radical groups of the day.

oursin: George Beresford photograph of the young Rebecca West in a large hat, overwritten 'Neither a doormat nor a prostitute' (Neither a doormat nor a prostitute)

I was a bit irked - apart from my previously stated historical-accuracy nitpicks - by the representation of women in The Limehouse Golem - no positive ties between any of the women characters, apparently either bitches or victims (even if the denouement complicated that), and the idea that Gay Men Were Their (unsuccessful and even deluded) Saviours.

And then I read some interview with I think Peter Ackroyd himself about the original novel and the film (cannot remember whether it was in the paper or online somewhere), and the opinion was expressed that in 1880, only a man dressed as a woman could speak for women.

A dubious proposition, I contend, in that there is also a tradition of drag as a way of expressing misogyny.

But women in 1880 were not silenced: this was a mere 3 years before the campaigns against the Contagious Diseases Acts (and when people are talking about statues of women, when will we have one for Josephine Butler?) obtained the suspension of the Acts, which were repealed in 1886. The 'Shrieking Sisterhood' as they were described in the hostile press, were very much not silent and not inarticulate.

Nor was this entirely about middle-class women. I'm pretty sure that women music hall performers expressed certain dissatisfactions with the state of things as they were in gender relations. There were also the drag kings of the day sending up men, if only by gentle subversion.

I can see it makes for a powerful narrative to have a woman so silenced that she can only make a protest by violent physical means, but I don't think that can be turned into a master-narrative for the entirety of society at that era.

oursin: George Beresford photograph of the young Rebecca West in a large hat, overwritten 'Neither a doormat nor a prostitute' (Neither a doormat nor a prostitute)

The Garrick Club in London is preparing for a bitter struggle over whether to admit women members.. Not even the only club still to refuse the laydeez (I find this particularly ironic in the case of the Travellers' Club, given the many women who were noted for their excursions rather further than '500 miles from London' - 'If you miss the train I'm on, you will find that I am gone').

We may note that the 'gentlemen' who consider these places to be A Last Bastion of Civilisation behave not unlike internet trolls at the prospect of GURLZ in their treehouse.

Also those gents who have either clearly never actually listened to women conversing, or if they have, do not let it affect their happy preconceptions:

Women on the whole gossip about their intimate lives; men banter: they discuss things objectively in ways which are not emotional,” said the writer Tom Bower, who opposes allowing women members. “There are no personal confessions, things like that, which women spend a lot of time doing. There is laughter.
There is someone who has never been in the same space as a Crabby Old Bat Moot.

And as for those 'preserve me from my defenders' who claim that now that wymmynz have emerged from the nursery and the kitchen and have proper professional jobs one can have a proper conversation with them about srs bznz.... (no, really, Dame Rebecca would have had them for breakfast, no? on toast).

I also want to thwap Anne Widdecombe with something with poisonous spines for this:

I am a 70s feminist, not a 90s, not a whimpering sort. The current feminism is all about victimhood, and I can’t bear it. It’s not what we were about – the roar that was feminism in the 1970s said: ‘You give us equality and we’ll prove we’re just as good as you.’ By the 1990s, this had diminished to a whimper that said: ‘We’re not making it – we want special privileges.’ That to me is anathema. Feminism to me is going out there and competing with men on equal terms. It’s not having your path smoothed for you. I’ve never had that grievance culture.”

Unfortunately I can't, at the moment, track down that Rebecca West quotation about women who sat out the actual suffrage struggle, but afterwards took every advantage that it had gained.

And, oh, please, that thing about 'having your path smoothed'? You mean, like all those dead white straight men do? that is not a privilege. It is what is known as a level playing field.

(Not that people weren't complaining about 'victimhood' and 'whingeing' apropos of feminism in the 70s, it's a recurrent theme, that the previous generation were feisty and tough, the modern lot are tearful wimps.)

I will also cite in evidence that The Feminist Revolution Has Not Yet Taken Place, this piece on the Guerilla Girls:

The group’s fundamental mission is still to expose sexism and racism in the art world and, while the language might have changed over the years (“Become more coded,” says Kahlo), the underlying discrimination hasn’t. A gallery owner once said to Kollwitz, “women and artists of colour are just not making work that addresses the dialogue”, by which she understood them to mean, “I can’t make billions of dollars from women artists. So I’ll pick up this young white guy.”

And while museums and galleries have changed the makeup of their exhibitors slightly, “it’s a certain kind of tokenism,” says Kahlo, “where once institutions realised they had a problem with diversity, they would show one woman artist and one artist of colour, and think that was taken care of."

oursin: The Delphic Sibyl from the Sistine Chapel (Delphic sibyl)

I was very intrigued by [personal profile] wychwood's long and chewy post about Paul du Gay's In Praise of Bureaucracy: Weber, Organisation, Ethics but but my mind has been snagging on the following all day and I am trying to get the thoughts out of my head and into semi-coherent (still jetlagged) words.

[personal profile] wychwood summarises part of the argument thus:

According to the book, Weber argued that people lived their lives in entirely separate spheres - the work self and the family self and the self out shopping have no overlap or contact between them, they are independent.... [W]hen du Gay looks at it in more detail later on, it seems like some of the argument is actually about ideals - people should be different at work, or, rather, bureaucrats shouldn't allow their personal opinions and ideas to affect the way they discharge their duties. Weber says you can protest policies to your superiors; you can push for change and disagree with how things are. But once your bosses confirm that the rules are the rules, it's your job to enforce them as though you believed in them implicitly. I'm not sure where that leaves whistleblowers - they're going against that ethos, but I think they're often right to do so. On the other hand, I find it hard to generate a rational morality which allows for whistleblowers without also allowing the kind of intrusion of personal morality that I do disagree with, such as pharmacists who refuse to dispense contraception or KKK members in the police force pushing a racist agenda.
It seemed to me that there is a moral distinction between whistleblowers and people who use their position within a system to pursue an agenda conformable with their own interests which is not just about the intrusion of purely private morality.

For me, there is a huge chasm here between openness and hypocrisy. The whistleblower may already have raised concerns with their line management and got an unsatisfactory response (and in cases of whistleblowing, what is going on may not merely be ethically dubious but actually illegal). The person who is supposed to be acting in a neutral and evenhanded manner but is inflicting their own agenda is probably not taking up their objections to the higher levels in the organisation and may, in fact, be doing this entirely covertly or in collusion with a group of like-minded individuals within the institution.

This recalled to me that somewhere in one of volumes of Doris Lessing's Children of Violence sequence, she contrasts two women active in the affairs of the capital of 'Zambesia', the fictional counterpart of Rhodesia: Mrs van der Meerwe, the progressive activist, and Mrs Maynard, married to one of the most influential men in the local establishment. Lessing points out that the dangerous subversive perceived as aiming at the destruction of all the white colonial settlers hold dear operates transparently and in the open; she makes no secret of what she is up to. Mrs Maynard, however, operates by gossip and backstairs influence and indirect moves.

The whistleblower is making a public statement and potentially facing adverse consequences. The other side of the equation is being sneaky and underhanded. If you see public morality as being about society, the whistleblower is accepting a responsibility to the wider public sphere beyond their institution.

There are also ways of balancing private and public morality: I think of Gerald Gardiner (who became Lord Chancellor under the Wilson government) who refused elevation to the bench until after the abolition of the death penalty, as he had strong views against this. (I concede that this is not the sort of option open to everybody.)

As an archivist, I am obliged (within the limits of e.g. the law on data protection) to make the archives in my care available to all researchers; I cannot refuse access on the grounds that a particular researcher is a frothing sensationalist conspiracy theorist.

However, what I can do when the frothing conspiracy theorist publishes their sensationalist theory is point out their tearing of material from its context and embedding it in a morass of unexamined assumptions (the dangerous procession from 'could have' via 'would have' 'must have' to 'did').

oursin: Brush the Wandering Hedgehog by the fire (Default)

From today's ODNB Life of the Day, Timothy Bennett (1676/7-1756):

[R]emembered for his successful campaign to reopen a right of way across Bushy Park, a Tudor royal hunting ground and part of the Hampton Court Palace estate. The path, which ran for nearly 2 miles, was a popular route for local residents crossing the park between Hampton town and Hampton Wick.
....
The closing of the pathway in Bushy Park was the result of ambitious plans for Hampton Court Palace in the reign of William and Mary. One of these was an improved road which, from a grand new gateway (now the Lion Gate, Hampton Court Road), provided an entrance to the royal residence through the palace gardens. The new road, nearly a mile in length, was flanked by rows of trees from which it took its name, Chestnut Avenue..... Access to the new road, part of the royal route to London, was only permitted to those issued with tickets, and this excluded most of the local population.
....
In June 1900 the former lord chamberlain, Earl Carrington, unveiled a monument to Bennett adjacent to the public path that, since the eighteenth century, has been known as Cobbler's Walk.

And he was in his 70s at the time.

oursin: C19th engraving of a hedgehog's skeleton (skeletal hedgehog)

I am not sure that the death of an old woman with dementia is a cause for rejoicing, though may be a merciful release for her and her family.

In particular I can see little cause for rejoicing when something I would hesitate to call Thatcher's soul goes marching on, given the latest efforts of current government.

The time for rejoicing will be when the last banker is strangled with the guts of the last board member of a private health'care' consortium... Maybe.

However, I can see why the outbursts of public response. It's in a fine old tradition of popular protest, a sort of charivari. But, as a social historian, my sense of these is that while expressing valid popular dissatisfaction with the way things were, they weren't necessarily aimed at the real sources of oppression (often too miasmatically pervasive to be readily identified). Plus, a letting off of steam rather than changing anything.

Not (because it's all more complicated) to underplay the importance of gesture and symbolism.

This death affects the current state of things in the UK the way breaking the bloody glass holds up the weather, i.e. not at all.

*The waste remains, the waste remains and kills.

oursin: Hedgehog saying bite me (Bite me hedgehog)

There is annoying WOEZ WOEZ PC article criticising the protest against pink girly Lego ('celebrating not architecture and action but beauty salons, cupcake bakeries and poodle parlours': pass me a sparkly pink sickbag) in today's Guardian.

It is particularly irksome because Hannah Betts goes ' the one area we should never seek to police is [children's] imaginations'.

How is this ghastly, from what I hear, practically universal gender essentialism in children's toys and other paraphernalia, not a mind-forg'd manacle upon their imaginations and sense of the acceptable and appropriate?

I don't think little girls should be forcibly prevented from indulging any taste for pastels and sparkles and ponies and fairy princesses (any more than little boys should).

I think they should be allowed to know that there are other options available and pink is not the only colour they are allowed.

***

And Amazon have actually sent me a promotional email for the notorious Bic for Her Amber Medium Ballpoint Pen pack. What fresh hell is this? Do they not get the mockery and sarcasm all over teh intahnetz?

oursin: Brush the Wandering Hedgehog by the fire (Default)

The 100 things blogging challenge.

Let's have some Smokey Robinson: live performance of 'Just My Soul Responding' (1973)

oursin: The Delphic Sibyl from the Sistine Chapel (Delphic sibyl)

Somehow these claims that OMG people are only protesting part-time (the article itself is fairly reasonable, the opinions therein quoted by certain self-appointed pundits not) seems to me to resonate with that poster and its suggestion that cancer researchers are on the job 24/7 that I posted about last week.

Y O Y do people have to throw everything into a particular pot to demonstrate the seriousness of their commitment?

I wonder if L Mensch assumes that if people don't give huge amounts to charity they might as well not bother or are just faking their concern? (And on the issue of charity, does she also critique the kind of posh philanthropy involving huge pricey events for the glitterati at which one suspects a good deal of moolah expended goes nowhere near the actual deserving cause in question?)

The widow's mite may be minor in itself, but enough people giving mites probably amounts to rather more than whatever the self-promoting Pharisee put in.

In my young day in the Upper Palaeolithic when what people were protesting was The Bomb, nobody considered it particularly remarkable that people marched when they had time to.

And as for the Starbucks coffee, cannot help thinking that were there a freetrade coffee stall serving caffeine to the campers, she would also be pointing and mocking at that?

*[S]ixty seconds' worth of distance run might involve necessary downtime recharging as well as frenetic activity.

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